Feathered, luxurious and heavily embroidered in jeweled detailing. See the Alexander Mcqueen Ready to Wear S/S 2016 collection designed by Sarah Burton and presented at Paris Fashion Week below:
-
-
Alexander McQueen Menswear S/S 2016 London
Elegant, ethereal and structurally formal with long almost floor length coats and interesting patterns including textiles. See the Alexander McQueen Menswear S/S 2016 colección a continuación:
-
Alexander Mcqueen Ready to Wear F / W 2015 PFW
Un romántico, Colección gótica victoriana y levemente. Diseñado como un desaliñado Marie Antonieta, que aparece en el vestido pedal inspirado floral ocasional. Vea la colección de Alexander McQueen para PFW abajo: Artículos relacionados Sexo, Violencia, y los fantasmas del inconsciente: Extravagancia multimedia del mundo del arte María Antonieta + Celuloide victoriana en una cama de Salesman Luxe Muestra + Corbatas sedosas teñidas a mano = Decadencia divina Descubre tu personalidad de moda
-
McQ Alexander McQueen Menswear F / W 2015
Mejor descrito como una calle excéntrica ecuestre que cuando no toda de negro lleva su denim highwasted.
-
Alexander McQueen Menswear F / W 2015
Formal and floral patterned basically resembling camouflage. with the occasional full striking solid. Adaptado entonado joya punky formales.
-
Alexander McQueen A / W 2014 Lookbook
Punky etéreo incoloro. Texturizada con pelusa, cabos y bordes afilados. Simplemente fotografiada y una para el lookbook punto. “Es Mqcueen perra.” -mi fuente:
-
Alexander McQueen S / S 2015 PFW
Tomadura de pelo de la correa de cuero negro y piel de serpiente (algún tipo de piel). Oscuro y Sever, adornado con negras máscaras faciales de seccionamiento de y destacando los rasgos faciales. Más tarde floración en pedal como vestidos y faldas. fuente:
-
Alexander McQueen | Men’s Spring/Summer 2015 | Runway Show
Oversized, long, wide and elongated. This theme carried from the shoes to the jackets and suits. With a color pallet of black, blanco, red and grey the clothing had utilitarian and structured movement even though most were oversize. The young male models trotted out with a similar emo hair pulled forward partially covering their faces. Although there were a few amazing long coats, this collection had an objectionable amount of low impact flair. Like a western magician/white urban gangster feel. Does that even make sense? sheez. Imagine Justin Beiber going to his favorite goofy aunts party. Just watch the runway below and maybe you’ll be able to pull the same references
-
Alexander McQueen | Spring/Summer 2014 | Backstage Film
“Faded fabrics that feel they have been left out in the sun and tarnished gold buttons. Hems, lapels and sleeves are unfinished and frayed. The internal structure of suiting is removed to give lightness. The sleeves of a frock coat have been ripped away with seams and shoulder padding left exposed. The silk lining of the suit jacket is introduced as a button-down robe or cardigan, layered over collarless bib shirts and exposed from the sleeves and hem of suit jackets. Worn with pleated loose, long shorts or trousers cropped above the ankle. The iconic McQueen skull motif is reworked into a cotton lace. El encaje se adapta como un…
-
ALEXANDER MCQUEEN SPRING/SUMMER 2014
Steven Kleins new campaign film and photographs for Alexander McQueen, featuring Kate Moss“Inspiration comes from the many progressive art movements of the early Twentieth Century – a mix of primitive shapes, graphic forms and bold colour. There is a suggestion of the clean lines and the dropped waist of the 1920s in places. Kilts, leggings, biker jackets, boxy coats and tunic tops all feature with a nod to uniform and sportswear. Shoulders are relaxed. Inner structures are absent and garments are finished with laser cutting so that they are eased and light. Metal embellishment, jewellery, y el adorno de cremallera múltiple envejecido recuerda a los objetos encontrados, al igual que las pulseras pesadas en…
