Feathered, luxurious and heavily embroidered in jeweled detailing. See the Alexander Mcqueen Ready to Wear S/S 2016 collection designed by Sarah Burton and presented at Paris Fashion Week below:
-
-
Alexander McQueen Menswear S/S 2016 London
Elegant, ethereal and structurally formal with long almost floor length coats and interesting patterns including textiles. See the Alexander McQueen Menswear S/S 2016 raccolta sotto:
-
Alexander Mcqueen Ready to Wear F / W 2015 PFW
Una romantica, Raccolta goth vittoriana e leggermente. Disegnato come un spettinato Maria Antonietta, che appare nel pedale ispirato abito floreale occasionale. Vedere la collezione di Alexander Mcqueen per PFW sotto: Articoli correlati Sesso, Lesione permanente, e Ghosts of the Unconscious: La stravaganza multimediale del mondo dell'arte Maria Antonietta + Celluloid vittoriana su un letto di Salesman campione Luxe + cravatte di seta tinte a mano = Divine Decadence Scopri la tua personalità alla moda
-
McQ Alexander McQueen Menswear F / W 2015
Meglio descritta come una strada eccentrica equestre che, quando non in tutto nero indossa il suo denim highwasted.
-
Alexander McQueen Menswear F / W 2015
Formale e floreale fantasia camouflage fondamentalmente simile. with the occasional full striking solid. Su misura gioiello tonica punk formale.
-
Alexander McQueen A / W 2014 Lookbook
Incolore punk etereo. Testurizzato con fluff, promontori e spigoli vivi. Semplicemente fotografato e al punto lookbook. “E 'Mqcueen cagna.” -me fonte:
-
Alexander McQueen S / S 2015 PFW
Stuzzicare Cinturino in pelle nera e pelle di serpente (qualche tipo di pelle). Scuro e sever, ornata con Black Face-maschere di sezionamento e di evidenziazione caratteristiche facciali. Più tardi fioritura in pedale, come abiti e gonne. fonte:
-
Alexander McQueen | Men’s Spring/Summer 2015 | Runway Show
Oversized, long, wide and elongated. This theme carried from the shoes to the jackets and suits. With a color pallet of black, bianco, red and grey the clothing had utilitarian and structured movement even though most were oversize. The young male models trotted out with a similar emo hair pulled forward partially covering their faces. Although there were a few amazing long coats, this collection had an objectionable amount of low impact flair. Like a western magician/white urban gangster feel. Does that even make sense? sheez. Imagine Justin Beiber going to his favorite goofy aunts party. Just watch the runway below and maybe you’ll be able to pull the same references
-
Alexander McQueen | Primavera / Estate 2014 | Backstage Film
“Faded fabrics that feel they have been left out in the sun and tarnished gold buttons. Hems, lapels and sleeves are unfinished and frayed. The internal structure of suiting is removed to give lightness. The sleeves of a frock coat have been ripped away with seams and shoulder padding left exposed. The silk lining of the suit jacket is introduced as a button-down robe or cardigan, layered over collarless bib shirts and exposed from the sleeves and hem of suit jackets. Worn with pleated loose, long shorts or trousers cropped above the ankle. The iconic McQueen skull motif is reworked into a cotton lace. Il pizzo è adattato come a…
-
MCQUEEN ALEXANDER PRIMAVERA / ESTATE 2014
Steven Klein pellicole e fotografie di Alexander McQueen nuova campagna, con Kate Moss“Inspiration comes from the many progressive art movements of the early Twentieth Century – a mix of primitive shapes, graphic forms and bold colour. There is a suggestion of the clean lines and the dropped waist of the 1920s in places. Kilts, leggings, biker jackets, boxy coats and tunic tops all feature with a nod to uniform and sportswear. Shoulders are relaxed. Inner structures are absent and garments are finished with laser cutting so that they are eased and light. Metal embellishment, jewellery, e le rifiniture con zip multiple invecchiate ricordano oggetti trovati come i braccialetti pesanti…
