Soft Flirtation and Pastels
Lindsey Wixson brings her signature charm to Numéro Tokyo’s June 2015 issue. Photographed by Karen Collins, the editorial is simple yet striking. The focus is on pastel color blocking, subtle flirtation, and effortless elegance. Each look feels approachable while still exuding high-fashion sophistication.
Fashion That Speaks
Styled by Felipe Mendes, the clothing emphasizes clean lines and gentle textures. Pastel shades play off one another, creating a visual rhythm that is both soft and engaging. Lindsey moves through each look with ease, making even minimal styling feel dynamic and playful.
Hair and Makeup
Hair by Romina Manenti adds a light and airy quality, perfectly complementing the pastel tones. Makeup by Alice Lane highlights Lindsey’s features without overpowering the overall softness. The combined effect is a polished, natural, and modern presentation.
Karen Collins’ Vision
Collins captures Lindsey in a way that balances simplicity with intrigue. Each photograph feels deliberate yet spontaneous, framing the model in moments that are both charming and stylish. The editorial is clean but far from boring, letting color, texture, and posture tell the story.
Why It Works
This editorial succeeds because it focuses on minimalism without losing personality. The subtle flirtation, pastel colors, and clean lines create a cohesive visual narrative that feels lighthearted but refined. Lindsey Wixson’s energy completes the look, making the images lively and memorable.
Final Impression
Lindsey Wixson by Karen Collins for Numéro Tokyo June 2015 is soft, playful, and stylish. It transforms simple color blocking into a captivating and modern editorial.
Credits
Publication: Numéro Tokyo June 2015
Model: Lindsey Wixson
Photographer: Karen Collins
Fashion Editor: Felipe Mendes
Hair: Romina Manenti
Makeup: Alice Lane
Category: Fashion Editorial
Publication: Numéro Tokyo June 2015
Model: Lindsey Wixson
Photographer: Karen Collins
Fashion Editor: Felipe Mendes
Hair: Romina Manenti
Make-up: Alice Lane
