Gigi Hadid is almost unrecognizable in Miu Miu’s 2026 Leather Goods campaign. She sports a cropped blonde haircut, radiates gamine energy, and carries a quiet elegance that feels effortless yet deliberate. Shot by Steven Meisel and styled by Lotta Volkova, the campaign positions Hadid as an emancipated character moving into a bourgeois apartment and immediately making it her own.
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Bella Hadid Smolders for REVOLVE by Mert Alas and Marcus Piggott
REVOLVE has unveiled one of its most ambitious projects to date with the launch of REVOLVE Los Angeles, a new fashion label that reflects the brand’s evolution after two decades of shaping online fashion culture. Leading the debut campaign is supermodel Bella Hadid, who steps in as the brand’s very first ambassador. Her presence immediately sets the tone for the project, bringing a confident, magnetic energy that perfectly matches the label’s modern direction.
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Jacob Elordi for Esquire UK
“I’m very afraid. The older I get, the more nervous I become.” It is not the kind of sentence you expect from someone whose career has accelerated at this speed, with this much certainty, and this many eyes watching. Yet that vulnerability sits at the center of Jacob Elordi’s conversation with Esquire UK, and it is what makes the feature linger long after the last page.
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Bella Hadid is Rococo Cool in Miss Sixty S/S 2026 by Gabriel Moses
Bella Hadid returns as the face of Miss Sixty in the Spring-Summer 2026 campaign, delivering chaos, drama, and style all at once. Shot by Gabriel Moses and styled by Frederic Saint Parck, the campaign reimagines Marie Antoinette as a modern rebel romance deconstructed, low-rise, and unapologetically undone. It’s decadent, irreverent, and fully captivating.
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Olivia Rodrigo for Miu Miu S/S 2026 by Jamie Hawkesworth
Olivia Rodrigo is the perfect center for this world. She carries sweetness and defiance in equal measure, which mirrors Miu Miu’s ongoing obsession with contradiction. She floats, but she does not drift. There is intention in her stillness. She is joined by Sateen Besson, Li Gengxi, Suzanne Lindon, Rachel Agbonze, and Amelie Sante, creating a cast that feels thoughtful rather than decorative. Together, they move through golden light as if it is part of the styling itself. Nothing feels staged. Everything feels lived in, even in the clouds.
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Paul Mescal by Elizaveta Porodina
Paul Mescal has never been afraid of vulnerability, but this editorial takes that instinct somewhere far darker. Captured by fashion photographer and artist Elizaveta Porodina for British GQ, the portrait series leans into surrealism, discomfort, and a kind of glamorous horror that lingers long after you scroll past it. This is not a soft or flattering portrayal. It is haunting. It is strange. And it is deeply intentional. From the first image, Mescal appears wide eyed and exposed, as if caught mid transformation. There is a sense of catabolism running through the story. Beauty breaking down. Elegance unraveling. The body and face become sites of tension rather than reassurance.
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Tom Hiddleston by Photographer Jason Hetherington
Tom Hiddleston has always understood the power of presence. In the January and February 2026 issue of High Life Magazine, the actor appears in a fashion editorial photographed by Jason Hetherington that places him within sweeping, grand architectural settings. The result feels intentional and composed, a meeting point between classical structure and modern refinement.
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François Arnaud by Samuel Fournier
François Arnaud has long occupied an interesting space in contemporary culture. An actor known for intensity and range, he has also become a quietly influential style figure, admired for how naturally he moves between softness and strength. In a portrait editorial photographed by Samuel Fournier for Nuvo Magazine, Arnaud leans fully into that balance, delivering a version of masculinity that feels relaxed, self-assured, and deliberately undone.
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Carla Rey by Andrew Yee | Editorial
Photographed by Andrew Yee for Vogue Czechoslovakia, model Carla Rey steps into the streets of New York with a presence that feels both assured and cinematic. Styled by Marco Antonio, with hair by Julia Kana and makeup by William Murphy, the editorial captures a version of power that does not rely on excess. Instead, it finds strength in restraint, allowing contrast and atmosphere to do the heavy lifting.
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Amir El-Masry by Pawel Pysz Presents Winter Dressing With Quiet Confidence
The Amir El-Masry editorial for the December 2025 issue is a study in composed masculinity, where winter dressing feels intentional rather than heavy. Shot by Pawel Pysz, the series embraces layered looks that feel practical yet refined, presenting cold weather style through a distinctly cosmopolitan lens.
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Mike Monroe by Luke Young NY Captures Quiet Mornings and Sculpted Presence
n the Mike Monroe by Luke Young NY editorial series, the atmosphere feels like the pause between sleep and the first cup of coffee, soft, intentional, and quietly observant. Shot in a chic apartment setting under natural, diffused light, the series highlights male model Mike Monroe in a way that privileges presence and ease over ostentation. The images embrace stillness, letting light, space, and form define the mood.
