Le Noir Partie 3 by Mert & Marcus revisits a striking photo spread from Vogue’s September issue, featuring Kate Moss and Saskia de Brauw. The editorial is a study in dark elegance, a space where vintage glamour collides with regal references to create something at once opulent and intimate. Every frame feels considered, the models’ presence commanding yet quietly enigmatic.
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The Hyperrealistic Paintings of Linnea Strid
At first glance, Linnea Strid’s portraits register as photographs. The lighting feels precise. Skin appears almost too exact. Hair, pores, shadows, and reflections seem captured rather than constructed. It is only after a moment of looking, and then looking again, that the illusion begins to unravel. These images are not photographs at all. They are paintings, built slowly and deliberately, detail by detail.
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Celebrity Pencil Portraits by artist Natasha Kinaru
Celebrity Pencil Portraits by Natasha Kinaru exist in the space where pop culture meets patience. At first glance, the works feel immediately recognizable. Faces pulled from film, music, and celebrity culture emerge with striking clarity. But the longer you look, the more the medium begins to assert itself. These are not digital renderings or filtered reproductions. They are carefully built, graphite by graphite, through time and restraint.
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Portraitures by Matt Wilkey
Matt Wilkey’s portrait work carries a sense of immediacy that feels instinctive rather than constructed. A young photographer based in Atlanta, Georgia, Wilkey approaches his subjects with a light touch, allowing youthfulness and simplicity to do the heavy lifting. The result is a body of work that feels honest, unforced, and quietly compelling.
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Bondi Hipsters take on Oversexed GQ Photoshoot
Bondi Hipsters explain: “We saw Miranda’s shoot earlier this week,” the pair wrote on Facebook. “Thought we might turn the industry on it’s head… It’s a little different when it’s a mahn, isn’t it?… Sorry bout it.” The Bondi Hipsters describe themselves as “eco-concious, party animal Hipsters from Bondi who are desperate to get their fashion brand off the ground”: Adrian is a rich boy from the Eastern Suburbs, who has been raised in private schools and spoon fed his whole life. His best friend Dom is a well-travelled young lad from the suburbs of Melbourne who has to work three jobs just to cover his rent. Together…
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“Mirror Culture” Installation Made of 6,000 CDs
by Ignatov architects located in Varna, Bulgaria, called Mirror Culture. A nostalgic reflective sheet of hanging cds hung between pillars. The piece give a sense up new nostalgia in fast pace digital world.
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Ant Art Installations by Rafael Gómezbarros
This is equally terrifying as it is oddly amusing. Since 2007, sculptor Rafael Gómezbarros has brought his invasive swarm of giant ants to public buildings of his native Columbia. Titled “Casa Tomada”, (Seized House), the ants represent the displacement of peasants due to war and strife. Spreading aggressively over the colonial façades of government structures, these unstoppable insects have in turn seized the homes of those in power. source:
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Feather Crowns
Feather crowns are a delightfully expressive accessory that take the floral halo trend into a new dimension of movement, texture, and personality. Rather than delicate blossoms, feathers introduce a sense of wildness and fluidity that feels both primordial and exquisitely styled. They...
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SUBMIT YOUR WORK!
We are very interested in any creative submissions you may have. Submit any work whether it be a photo shoot, artwork, or even an article you wrote that seems relevant to Graveravens.com. Send in your work and if we think it’s a good fit, we would be more than happy to feature you on the site. Email: Graveravens@gmail.com
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Creepy/Awesome Real Life Marge Simpson
There is something deeply disorienting about seeing a cartoon character translated too accurately into real life. Not a costume. Not a parody. But a living, breathing version that occupies physical space. This interpretation of Marge Simpson lands precisely in that uncanny territory, where admiration and discomfort exist side by side.
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Jessica Ledwich and the Monstrous Feminine
Jessica Ledwich’s work does not ease the viewer in. It confronts directly, unapologetically intense, and deliberately uncomfortable. Her series The Fanciful, Monstrous Feminine operates in a space where beauty rituals are no longer soothing or aspirational, but strange, excessive, and psychologically charged. What is usually marketed as refinement is pushed into distortion, revealing something far more unsettling beneath the surface.
