Classic, simple and to the point. Dapper looks that can always be downplayed and relaxed. The new PORTS 1961 campaign featuring top male model casually styled in their white dress shirts. Some casual shirt options:
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The Rise of The Old and Unphotoshopped Model
Wrinkles? Disgusting. Cellulite? Barf worthy. Fat? UNFORGIVABLE. This kind of body hate/discrimination is known as a normality in the fashion world. It’s better to be dead than fat and old. The “live fast die young” motto is ever-present and accepted. Something that is ALSO a huge part of the fashion industry is going against the common grain and defying beauties norms. Is this something that is done for publicity? Or more something that needs to be addressed for the overall well-being of self-image. Photoshoots with top photographers and supermodels have been popping up in magazines and social media, with proud unaltered images! (GASP!) Most notably Kate Moss and Cindy Crawford pictured…
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The Pink Panther by photographer Tony Kelly
Ton Heukels takes center stage in a playful and flamboyant editorial for GQ Spain, photographed by Tony Kelly. The series, titled The Pink Panther, is drenched in candy-colored charm and mischievous energy. Heukels moves through the frames with boyish charisma, effortlessly balancing the line between teasing fantasy and confident presence. The editorial feels like a daydream rendered in high fashion, where reality and imagination blur, and the viewer is invited to wonder whether these scenes exist in the model’s mind or in real life.
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‘Descension’ by artist Anish Kapoor
There is something deeply unsettling about Descension, and that discomfort is exactly where its power lives. Installed inside a movie theater in Italy, the ever moving work by Anish Kapoor transforms a familiar space of passive viewing into something far more psychological. You do not simply watch this piece. You confront it.
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Fernanda Ly by photographer Jerome Corpuz
This W Magazine editorial understands restraint, and that is exactly why it works. Fernanda Ly drifts through the frame in white dresses and cotton soft silhouettes, her signature pink hair acting as both punctuation and attitude. Photographed by Jerome Corpuz, the series leans into a light pastel goth mood that feels calm, modern, and quietly subversive.
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Nico Poturalski by photographer Reno Mezger
There is something instantly familiar about Homecoming. This fashion photo series starring Nico Poturalski taps into a suburban rocker fantasy that feels nostalgic, slightly rebellious, and sharply styled without tipping into costume. Shot by Reno Mezger for Marie Claire HK Spring Summer 2015 Accessories, the editorial balances attitude with approachability.
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Julia Bergshoeff by photographer Lachlan Bailey
This WSJ Magazine editorial understands the power of understatement. Julia Bergshoeff appears calm, self possessed, and completely unbothered by the idea of excess. Photographed by Lachlan Bailey, the June 2015 story leans into clarity and control, letting mood and presence carry the narrative rather than theatrics.
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Sea Level Street Art by Hula (Sean Yoro)
At first glance, it feels like a mirage. A woman appears to be resting in water, her body half submerged, her expression calm and unbothered by gravity or waves. Then you realize it is a wall. A seawall, a pier, a forgotten concrete edge. This is the quiet magic of Sea Level street art by Sean Yoro, who works under the name Hula.
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Travis Smith by photographer Milan Vukmirovic
At first glance, it feels uncanny. Too familiar. Too accurate. Travis Smith steps into a Warholian fantasy so convincingly that you almost believe you are looking at lost photographs of Joe Dallesandro himself. The illusion is strong, intentional, and delightfully cheeky.
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Edgy Mod by photographer Sebastian Kim
This Vogue Germany editorial leans hard into mod energy, then deliberately scuffs it up. Think sharp silhouettes, heavy eyeliner, and that slightly reckless confidence that defined the best kind of 1960s cool. Photographed by Sebastian Kim, the story delivers a version of mod that feels unruly, imperfect, and very much alive.
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Binx Walton by photographer Benjamin Alexander Huseby
This Interview Magazine Germany editorial understands a very specific truth. When the subject has real presence, you strip everything else away. Shot in black and white by Benjamin Alexander Huseby, the June 2015 story starring Binx Walton is refreshingly focused, calm, and confident.
