Vintage punk with urban inspired detailing. See the Asger Juel Larsen collection presented at Copenhagen Fashion Week below:
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2OR+Byyat S/S 2015 Copenhagen Fashion Week
Styling played a major role in defining the mood. Models wore exaggerated 80s anarchist inspired hairstyles paired with heavy, statement eye makeup that pushed the looks further into punk territory. The overall effect felt theatrical yet intentional, reinforcing the brand’s experimental spirit.
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Henrik Silvius Menswear S/S 2015
Henrik Silvius’s Spring Summer 2015 menswear collection arrived with a quiet provocation that felt both playful and deliberate. Pants, or rather the absence of them, became a central talking point, not as shock value but as a conceptual nudge. Silvius treated trousers as optional, even arbitrary, questioning their role as one of fashion’s most rigid gender markers. What could have read as gimmicky instead unfolded with restraint and polish.
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Wali Mohammed Barrech S/S 2015 Copenhagen Fashion Week
Wali Mohammed Barrech’s Spring Summer 2015 collection at Copenhagen Fashion Week leaned into a distinctly utilitarian vision of the future, one that felt urban, technical, and sharply observed. From the first look, the clothes suggested movement through a city rather than presentation on a runway. This was fashion designed with pace and purpose in mind.
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Nicholas Nybro S/S 2015 Copenhagen Fashion Week
The easiest comparison is an 80s gypsy neon circus, though even that feels like an understatement. Saturated hues clashed and harmonized at the same time. Textiles were layered, manipulated, and exaggerated, creating silhouettes that felt sculptural and animated. Every look seemed to carry its own personality, yet all were tied together by a consistent sense of theatrical confidence.
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Nicklas Kunz Menswear S/S 2015 Copenhagen Fashion Week
Nicklas Kunz’s Spring Summer 2015 menswear collection at Copenhagen Fashion Week leaned confidently into a sporty, urban mindset. The clothes were loose fitting and athletic, designed to emphasize movement and the body without relying on heavy structure or unnecessary detail. It was a direct and physical approach to menswear, rooted in strength and simplicity.
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Designskolen Kolding S/S 2015 Copenhagen Fashion Week
The looks were eclectic and heavily layered, with multiple concepts often living within a single outfit. Shapes, textures, and references overlapped freely, creating garments that rewarded closer inspection. At times it felt like several collections were unfolding at once, but the overall narrative never fractured. Instead, the variety became its strength.
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Henrik Vibskov S/S 2015 Copenhagen Fashion Week
A standout feature of the collection was the headwear. Many models wore hats that appeared to have built-in blunt bangs, adding a surreal, almost sculptural quality to the styling. These inventive touches reinforced Vibskov’s reputation for mixing humor with high-concept fashion.
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Veronica B. Vallenes S/S 2015 Copenhagen Fashion Week
The garments emphasize structure and proportion, with each piece carefully balanced to highlight form without unnecessary embellishment. Crisp tailoring, streamlined silhouettes, and understated cuts allow the colors and subtle illustrations to take center stage, giving the collection a quiet sophistication.
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Jean//Phillip Menswear S/S 2015
Accessories and styling reinforce the collection’s edgy narrative. Black face masks appear intermittently, each one uniquely shaped to the model wearing it, contributing to a sense of mystery and theatricality. These elements amplify the tension between concealment and display, enhancing the collection’s dark, villainous undertone.
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Edith & Ella S/S 2015 Copenhagen Fashion Week
The lineup is varied, featuring tailored pantsuits, flowing gowns, and structured dresses, each piece designed to balance femininity with attitude. Dark florals dominate the palette, contrasting sharply with clean lines and sharp tailoring. The juxtaposition of soft prints with strong shapes gives the collection a sense of depth and visual tension.
