• ART

    Pop-Up Paper Sculptures by Peter Dahmen

    German artist Peter Dahmen creates complex paper sculptures that pop open once opened. Much like the most awesome children’s books we know but with a sharp delicate artistic edge. See a video of them in motion and also some stills of his work below: Images © Peter Dahmen

  • ART

    Giants by Axel Le Roux

    Misty landscape photographs incorporating ghostly giant illustrations in a mixed media series titled Giants by french artist Axel Le Roux. See the glowing eyed giants below:   First ABC Letter

  • ART

    Paperboyo Abstractions

    Der britische Künstler Rich McCor, auch bekannt als Paperboyo, abstrahiert regelmäßige Landschaften mit humorvollen schwarzen schattenartigen Ausschnitten, die bekannte Orte und Strukturen in verspielte freche Bilder verwandeln. See some of his works below:

  • ART

    Outrospection by Daniel Ramos Obregón

    Columbian based fashion designer/artist Daniel Ramos Obregón creates a series of porcelain casts that extend from the body in gold-plated brass metal frames. The project is explained as a wearable study of self-representation. “I have appropriated his concept while relating it to out-of-body experiences more commonly known as astral projections, by seeking to represent -in a metaphorical way- the mind being projected inside out of the body as a way of self-expression and representation.” – Daniel Ramos Obregon sauer

  • ART

    Papercut by Parth Kothekar

    Der indische Künstler Parth Kothekar kreiert eine Serie mit dem Titel Papercut, in der Zeichnungen aus Papier gehoben werden. The handcut shapes are complex and delecate. Sie können auch Ihnen gehören. Siehe die Serie unter:

  • Trippy Landscapes by Hilary Pecis
    ART

    Trippy Landscapes by Hilary Pecis

    Artist Hilary Pecis designs trippy and busy mixed media landscapes using collage work, paint and ink work. Youre eyes dance around the pieces as you follow the bold colors eventually spotting familiar subjects and topics. “My paintings depict the postmodern landscape, where consumer goods are being hemorrhaged from the rock-like skeletal system. Evolution is depicted in the layers of rock, along with the gelatinous collaged pieces used to describe tumors growing exponentially. Images and shards from glossy magazine pages are reassembled to remove the familiar pseudo-event, which took place within advertisements and reposition them into a surrogate image within the drawing.”