Karl Lagerfeld’s Barbie collaboration for Mattel proved just how much the fashion world loves a collector’s item. Released on Net-A-Porter, the dolls sold out almost immediately, raking in a staggering £135,000 in just one morning. That is £135 per doll, with all 999 dolls
-
-
John Galliano S/S 2015 PFW
John Galliano’s Spring/Summer 2015 collection for Paris Fashion Week was all about safari-chic with a modern twist. The palette played heavily with earthy greens, sandy beiges, and touches of muted browns, giving off an adventurous yet elegant vibe. Long flowing dresses contrasted with shorter structured pieces, creating a dynamic range of movement and style across the runway.
-
Rick Owens Interview | In the Studio | The New York Times
Rick Owens chats with Vanessa Friedman about how his creativity used to thrive on chaos before he transformed his five-story building in an upscale Parisian neighborhood into an open ascetic space.Produced by: Shayla Harris and Vanessa Friedman
-
Junya Watanabe S/S 2015 PFW
Junya Watanabe’s Spring Summer 2015 collection at Paris Fashion Week felt like a future fantasy that took a hard left turn into something delightfully strange. Think Metropolis woman with a mischievous streak. The kind who does not blink first. Or maybe cannot blink at all. This was fashion built on structure, shine, and a heavy dose of theatrical attitude.
-
Yohji Yamamoto S/S 2015 PFW
Yohji Yamamoto does not do neat. He never has, and thankfully, he never will. For Spring Summer 2015 in Paris, the designer leaned fully into a windswept fantasy that felt undone on purpose and dramatic by design. This was not a collection meant to sit politely in your closet. It was meant to move, to billow, to catch air and attitude at the same time.
-
Maison Martin Margiela S/S 2015 PFW
Maison Martin Margiela for Spring Summer 2015 felt like stumbling into a damp, overgrown seventies dream and deciding to stay. Everything looked slightly moist, slightly unruly, and completely intentional. This was not nostalgia served clean and pressed. It was nostalgia that had been rained on, slept in, and styled with zero interest in being polite.
-
Dior S/S 2015 PFW
Dior Spring Summer 2015 was a lesson in restraint, and frankly, restraint done very right. This was not about excess, shock, or chaos. Instead, it was about confidence in simplicity. Raf Simons delivered a collection that felt calm, deliberate, and deeply luxurious without ever needing to shout.
-
Loewe S/S 2015 PFW
Jonathan Anderson continues to do something rare at Loewe. He makes experimentation feel calm. Spring Summer 2015 did not arrive screaming for attention or begging to be decoded. Instead, it unfolded slowly, confidently, and with a clear point of view. This was light, chic, and deeply considered fashion, the kind that rewards close looking. At this point in his tenure, Anderson was clearly comfortable pushing the house forward without losing its soul. Loewe’s heritage in leather and craftsmanship was not referenced nostalgically. It was reworked, loosened, and modernized.
-
Rick Owens S/S 2015 PFW
Rick Owens Spring Summer 2015 at Paris Fashion Week unfolded like a transformation rather than a presentation. This was not about immediate beauty. It was about evolution. The kind that feels raw at first, almost uncomfortable, before slowly sharpening into something intentional and powerful.
-
Balmain S/S 2015 PFW
Balmain Spring Summer 2015 at Paris Fashion Week arrived with zero interest in subtlety. This was a collection built on precision, severity, and control, where every line felt calculated and every cutout felt intentional. From the first look, the geometry was unmistakable. Sharp angles, sculpted silhouettes, and architectural shapes dominated the runway. The clothes did not drape. They held their ground. This was fashion designed to command space.
-
Manish Arora S/S 2015 PFW
Manish Arora does not do subtle, and Spring Summer 2015 at Paris Fashion Week proved that once again. This collection felt like stepping directly into a technicolor fantasy where every surface sparkles, every color competes for attention, and restraint simply does not exist. From the opening look, it was clear that Arora was in full celebration mode. Think Lisa Frank energy, pastel overload, and the visual chaos of an Eye Spy book, all filtered through high fashion. This was not a collection you quietly appreciate. It demanded attention. Loudly.