Stella McCartney’s spring-summer 2015 collection was effortlessly modern, blending movement with clean lines. Free-flowing full-length jumpsuits featured sleek zippers, while dresses played with bold patterns, color mixing, and subtle 3D applications. The collection felt lively, wearable, and carefully considered.
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Maison Martin Margiela S/S 2015 PFW
Maison Martin Margiela for Spring Summer 2015 felt like stumbling into a damp, overgrown seventies dream and deciding to stay. Everything looked slightly moist, slightly unruly, and completely intentional. This was not nostalgia served clean and pressed. It was nostalgia that had been rained on, slept in, and styled with zero interest in being polite.
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Luisa Beccaria S/S 2015 MFW
Luisa Beccaria Spring Summer 2015 at Milan Fashion Week felt like stepping into a memory you are not entirely sure is yours. Designed by Luisa Beccaria alongside Lucilla Bonaccorsi, the collection leaned fully into romance, softness, and nostalgia, without tipping into costume. The palette was the first thing to seduce. Creams dominated the runway, pale and luminous, creating an almost glowing effect under the lights. It was gentle, calming, and undeniably feminine. Nothing felt loud. Everything felt intentional.
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Max Mara S/S 2015 MFW
Max Mara’s Spring Summer 2015 collection at Milan Fashion Week was a masterclass in pattern mixing. On first glance, the collection may appear understated. Clean silhouettes, simple lines, and wearable shapes dominate. But look closer, and the magic is in the prints. The mix of patterns transformed every piece from practical to completely captivating.
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Simone Rocha S/S 2015 LFW
Simone Rocha S/S 2015 at London Fashion Week felt almost Victorian at first glance, but nothing here stayed polite for long. The collection flirted with tradition, then deliberately knocked it off balance. You could absolutely imagine corsets living underneath these looks, even though none were shown. The structure was there. The restraint was not.
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Oscar de la Renta S/S 2015 NYFW
Oscar de la Renta’s Spring Summer 2015 collection felt like a love letter written in petals, lace, and soft afternoon light. From the first look, the mood was unmistakable. This was dainty picnic chic at its most refined, where florals were not just a motif but a language spoken fluently across every dress and gown. Nothing screamed for attention. Instead, everything quietly commanded it.
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Vera Wang Ready To Wear S/S 2015 NYFW
Vera Wang’s S/S 2015 collection played with contrasts in the best way. On one side, there were short, playful, girly dresses that flirted with fun and flirtation. On the other, long, layered chiffon gowns draped with flowing elegance, each piece a soft cascade of floral prints and pastel tones. The juxtaposition between the youthful mini dresses and the romantic full-length gowns created a rhythm to the collection, keeping it dynamic without ever feeling disjointed.
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Carolina Herrera Ready To Wear S/S 2015 NYFW
Carolina Herrera’s Spring Summer 2015 collection at New York Fashion Week felt like a masterclass in restraint paired with romance. It was structured, yes, but never cold. Soft, absolutely, but never fragile. Herrera once again proved she understands how to balance polish with emotion in a way few designers can.
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Carmen Marc Valvo Ready To Wear S/S 2015 NYFW
Carmen Marc Valvo’s Spring Summer 2015 collection at New York Fashion Week delivered an edgy and dramatic mix of designs that spanned both menswear and womenswear. The collection included tailored suits, cocktail dresses, long evening gowns, and even swimwear, showing the designer’s range and versatility. Despite the diversity of pieces, the collection felt cohesive, tied together by a consistent focus on black as the dominant color. This choice gave the lineup a bold, sophisticated, and slightly mysterious mood.
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Edith & Ella S/S 2015 Copenhagen Fashion Week
The lineup is varied, featuring tailored pantsuits, flowing gowns, and structured dresses, each piece designed to balance femininity with attitude. Dark florals dominate the palette, contrasting sharply with clean lines and sharp tailoring. The juxtaposition of soft prints with strong shapes gives the collection a sense of depth and visual tension.
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Vintage Art by Federico Hurtado
Hurtado’s technique emphasizes the materiality of the books themselves. The covers and pages are not erased or replaced but become part of the work, framing the altered imagery and adding context and texture. This approach gives his pieces a layered quality, where past and present, original and altered, collide in visually striking ways. The original content of the books informs the new narratives, lending a sense of continuity while inviting reinterpretation.
