Nicholas K’s Fall 2015 collection felt like Amelia Earhart with a goth and steampunk twist. The collection was adventurous without being costume-like, combining vintage inspiration with a modern sensibility. Each piece emphasized layering, texture, and movement, creating looks that were as dynamic on the runway as they would be in real life.
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Aganovich S/S 2015 PFW
Aganovich does not do subtle, and thank god for that. The S/S 2015 collection shown in Paris felt like couture goth filtered through humor, intellect, and a deep love of the strange. From the first look, it was clear this was not a collection meant to fade quietly into the background of Fashion Week. Instead, it demanded attention with exaggerated proportions, dramatic silhouettes, and styling that leaned unapologetically freaky chic.
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MM6 Maison Martin Margiela Ready To Wear S/S 2015 NYFW
MM6 Maison Martin Margiela brought a collection that feels like a love letter to western Americana filtered through a very specific goth lens. Picture quilted pieces that could have doubled as cozy blankets, leather chaps that hint at rebellion, worn-in denim, and bandanas tied just so. There’s a playful tension in the collection, like the designers are tipping their hat to The Little House on the Prairie while simultaneously throwing a 90s goth club kid party in the middle of the prairie.
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Baja East Ready To Wear S/S 2015 NYFW
Baja East’s Spring Summer 2015 collection at New York Fashion Week offers an effortless mix of urban cool and subtle goth edge, giving off that slightly Tumblr-inspired, streetwise aesthetic that feels both modern and relaxed. There is a clear sense that the designer wanted comfort to remain a central focus, yet without sacrificing style or visual interest. Fabrics feel soft and approachable, sometimes airy and lightweight, draping naturally over the body. At the same time, there are moments of careful construction where pieces are intricately twisted or layered over the torso, giving a subtle nod to toga-like draping without feeling costume-y.
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Katie Gallagher Ready To Wear S/S 2015 NYFW
Sheer and at times a lot like undergarments. I don’t say that as a bad thing, while still containing flowing pieces the fabric of choice in this collection was minimal in density, almost ghostly. This wasn’t a victoria’s Secret show so theses choices still retained a darker edge to them Katie Gallagher is known for. source:
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All Black Menswear Outfits
Back to black? Black was always there though. Here are some chic/sporty/dressy all black mens looks.
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Haim Tor photographed by Guy Hecht
The editorial mixes high drama with subtle energy. Couture-like pieces, including a flowing dark chiffon gown, sit alongside sharply structured outfits, creating contrast that is both visually compelling and dynamic. Tor moves through the frames with confidence, embodying strength and poise that carries each extreme look with ease.
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Edith & Ella S/S 2015 Copenhagen Fashion Week
The lineup is varied, featuring tailored pantsuits, flowing gowns, and structured dresses, each piece designed to balance femininity with attitude. Dark florals dominate the palette, contrasting sharply with clean lines and sharp tailoring. The juxtaposition of soft prints with strong shapes gives the collection a sense of depth and visual tension.
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“Hall of Emotions” by Photographer Marcin Tyszka
Photographer Marcin Tyszka’s Hall of Emotions, shot for Vogue Thailand, presents model Patrycja G. in a striking interpretation of goth-mod luxury. The editorial places her within the expansive, empty halls of a university, creating a sense of isolation that contrasts with the richness of her styling. Deep, moody colors and dark fabrics highlight the garments’ texture and form while standing out vividly against her pale skin.
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Julien Fournie Haute Couture Fall Winter 2014 2015 Plunging Soft Goth
The defining gesture of the collection was the plunge. Long, sleek gowns revealed deep necklines that extended boldly at both the front and back, creating a sense of exposure that felt elegant rather than aggressive. These cuts did not rely on embellishment for impact. Their power came from confidence in form. The body became part of the architecture, framed rather than decorated.
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Blackout Outfits
