Bold mix of patterns and colors with a heavy late 70’s/early 80’s references. See the Karen Walker Ready to Wear F/W 2016 collection presented at NYFW below:
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Karen Walker Ready To Wear S/S 2016 NYFW
The Karen Walker S/S 2016 was 60’s vintagely funky and loose fitting with metallic fabrics and acid wash denim. See the Karen Walker S/S 2016 collection below:
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Loving Tortoise Sunglasses
When it comes to sunglasses colors and styles have different rules. If you want a timeless neutral sunglass for summer you are safe sticking to black, metal, or tortoise colored items. Since it is timeless you can feel safe spending a little extra, but you definitely to not have to. Here’s Alexa Chung with some awesome Karen Walker Tortoise sunglasses: Below are some tortoise options from froogle friendly to damn.
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Karen Walker Ready to Wear F/W 2015 NYFW
Severely 70’s in the best way. Full of colorful psychedelic prints and playful throwback fits while still maintaining runway prestige.
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Karen Walker Ready To Wear S/S 2015 NYFW
Karen Walker’s Spring Summer 2015 collection felt like a love letter to vintage bohemia, filtered through her signature sense of precision and humor. From the first look, it was clear this was not a loose or sloppy take on boho dressing. Instead, everything felt intentional, styled within an inch of its life, and still completely relaxed in spirit.
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Adriana Lima in “Factory Girl” by Ellen von Unwerth
Shot for Vogue Brazil, “Factory Girl” places Adriana Lima inside a high-energy fantasy that pulls directly from Warhol’s Factory era while keeping its footing firmly in fashion. From the start, the editorial embraces a mod-inflected, pop-art sensibility that feels loud, playful, and unapologetically glamorous. Rather than portraying Lima as distant or untouchable, the series presents her as a vivid personality who commands every frame with confidence and charisma. Ellen von Unwerth directs the shoot with her signature sense of movement and attitude. Instead of polished restraint, she favors spontaneity, humor, and a slightly chaotic energy. As a result, the images feel alive rather than posed. Lima leans into this approach…