Jess Eaton’s Real RoadKill for Real Couture is not for the faint of heart. This series incorporates found roadkill into extravagant fashion pieces, transforming feathers, bones, and fur into wearable art. While many view animal use in fashion as barbaric, Eaton reframes the conversation by using organic, naturally deceased sources. The result is couture that is simultaneously provocative, beautiful, and thought-provoking.
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Kate Moss by Paolo Roversi
Kate Moss stepped into Paolo Roversi’s ethereal world for W Magazine’s April 2015 issue. The editorial captures her in flowing, detailed couture gowns that evoke the romance and elegance of the 1920s. Every frame feels like a painting brought to life, soft focus and delicate lighting blending to create a dreamlike atmosphere.
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Kate Moss Unphotoshoped by Peter Lindbergh
There has been a quiet shift happening in fashion imagery. A pushback against perfection. A return to skin that looks like skin and faces that tell the truth. Following recent unretouched moments like Julia Roberts, Kate Moss steps into this movement with effortless authority in a Vogue Italia editorial photographed by Peter Lindbergh. Because if anyone can do unfiltered beauty without it feeling like a statement, it is Kate Moss.
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The Kate Moss for Topshop
Kate Moss’s debut design collaboration for Topshop arrives with the kind of understated confidence the model herself has always embodied. Joined by fellow designer Katy England and four other creative partners, Moss helped craft a collection that feels deeply personal, translating her own style and sensibility into wearable fashion. The result is not costume or celebrity branding at its most obvious, but a curated wardrobe that feels lived in, edited, and inherently stylish.
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Le Noir Partie 3 by Mert & Marcus
Le Noir Partie 3 by Mert & Marcus revisits a striking photo spread from Vogue’s September issue, featuring Kate Moss and Saskia de Brauw. The editorial is a study in dark elegance, a space where vintage glamour collides with regal references to create something at once opulent and intimate. Every frame feels considered, the models’ presence commanding yet quietly enigmatic.
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ALEXANDER MCQUEEN SPRING/SUMMER 2014
Steven Kleins new campaign film and photographs for Alexander McQueen, featuring Kate Moss“Inspiration comes from the many progressive art movements of the early Twentieth Century – a mix of primitive shapes, graphic forms and bold colour. There is a suggestion of the clean lines and the dropped waist of the 1920s in places. Kilts, leggings, biker jackets, boxy coats and tunic tops all feature with a nod to uniform and sportswear. Shoulders are relaxed. Inner structures are absent and garments are finished with laser cutting so that they are eased and light. Metal embellishment, jewellery, and aged multiple zip trim are reminiscent of found objects as are heavy bracelets in…
