At the heart of the collection were the prints. Geometric patterns appeared again and again, acting as the visual glue that tied each look together. Some felt pulled from old upholstery or wallpaper, while others nodded to retro textiles you might imagine finding in a perfectly curated thrift store. However, nothing felt overly referential. Ostwald Helgason modernized these motifs through clean silhouettes and sharp tailoring, allowing the prints to speak without shouting.
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