Yang Li’s S/S 2015 collection at Paris Fashion Week was a masterclass in contrast. The sharp, almost architectural tailoring met flowing sheer silk and chiffon panels that added weightless movement to otherwise strong silhouettes. It was a delicate balancing act that somehow felt effortless. Every piece had an underlying tension between rigidity and fluidity, and the collection’s energy came from that push and pull.
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Anthony Vaccarello S/S 2015 PFW
Anthony Vaccarello’s Spring Summer 2015 collection at Paris Fashion Week was not interested in whispering. This was a collection that spoke clearly, boldly, and with a very sharp point of view. Words became the clothes, literally. Typography took center stage, moving across the body in stark black and white, sometimes oversized, sometimes reduced to a tease. It was graphic, clever, and unmistakably Vaccarello.
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Devastee S/S 2015 PFW
Devastee has always lived comfortably in its own slightly offbeat universe, and for Spring Summer 2015, the brand leaned all the way into that identity. Shown during Paris Fashion Week, this collection felt like a love letter to beatnik cool filtered through a playful, almost childlike lens. Black and white dominated the runway, but nothing about it felt stark or severe. Instead, it came across charming, witty, and quietly joyful.
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Pascal Millet S/S 2015 PFW
Pascal Millet showed Spring Summer 2015 in Paris with a collection that felt tuned into youth without trying too hard to chase it. This was not about gimmicks or nostalgia. Instead, it was about confidence, ease, and knowing exactly when to turn the volume up or down. The runway delivered color, skin, structure, and restraint, often all within the same look. Somehow, it worked.
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Corrie Nielsen S/S 2015 PFW
Corrie Nielsen’s Spring Summer 2015 collection at Paris Fashion Week felt like a confident step into a future that is sleek, sensual, and slightly dangerous. This was fashion with intention and attitude, not fantasy for fantasy’s sake. From the first look, the collection made its point clearly. Structure ruled, but seduction followed closely behind. The overall mood nodded to a Jetsons style vision of tomorrow, yet it avoided anything cartoonish. Instead, Nielsen delivered a sharp, grown-up interpretation of futurism that felt grounded in the body. Every piece seemed designed to frame movement, power, and presence.
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Trussardi S/S 2015 MFW
Layering was key this season, and it was done with restraint. Nothing looked bulky. Nothing felt forced. Long coats over streamlined separates. Soft knits paired with structured outerwear. The silhouettes stayed relaxed, but the execution remained precise. This was chic casual in the truest sense. Clothes designed for movement, for real life, for a woman who values ease but still wants polish. It was effortless in spirit, even if the craftsmanship was anything but.
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Dolce & Gabbana S/S 2015 MFW
Dolce and Gabbana Spring Summer 2015 was not a fashion show. It was a spectacle. The kind that makes you sit up straighter and pay attention, even if you think you know exactly what is coming. From the first look, it was clear. Subtlety was not invited. The color story did all the talking. Deep, devotional reds. Gilded golds that caught the light like treasure. Sharp, uncompromising blacks that grounded the drama. Together, they created a visual language rooted in old world grandeur and unapologetic excess.
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Salvatore Ferragamo S/S 2015 MFW
Salvatore Ferragamo Spring Summer 2015 unfolded on one of Milan Fashion Week’s many catwalks with the kind of quiet assurance the house does best. No theatrics. No distractions. Just beautifully considered clothes, presented with confidence and clarity. Graveravens.com was there to capture every look, and what stood out immediately was the sense of control. This was a collection rooted in refinement, where nothing felt excessive and every detail felt deliberate.
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Marni S/S 2015 MFW
Marni Spring Summer 2015 at Milan Fashion Week unfolded like a process rather than a moment. It did not rush to impress. Instead, it built itself slowly, intentionally, almost academically, before letting creativity take over. The opening looks felt raw and restrained. Canvas like fabrics appeared rough, textured, and utilitarian. They looked unfinished on purpose, as if the garments were still in conversation with the idea of becoming something else. Styling leaned into that roughness. Nothing was polished too early. It felt honest and experimental, which is exactly where Marni thrives.
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Emilio Pucci S/S 2015 MFW
Emilio Pucci Spring Summer 2015 at Milan Fashion Week was a full throwback moment, and it owned every second of it. This was sexy, girly, and unapologetically nostalgic. The kind of collection that makes you want to dance before you even leave your seat. From the start, the influence of the 1970s was impossible to miss. It lived in the silhouettes, the prints, and the way the clothes moved. Minis were short. Cuts were confident. The fits hugged and released in all the right places. This was Pucci doing what Pucci does best, channeling glamour with a playful edge.
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Jil Sander S/S 2015 MFW
Jil Sander Spring Summer 2015 at Milan Fashion Week was all about control. Not the rigid kind, but the confident kind. The type of restraint that feels intentional rather than limiting. This was a collection built on structure, balance, and a deep understanding of proportion. From the opening looks, there was a clear equestrian influence. Tailored jackets, strong shoulders, and refined silhouettes evoked riding uniforms and countryside polish. But this was not costume. It was elevated, streamlined, and reimagined through a modern lens.
