an avant-garde Victorian fashion editorial full of intense sculptural fashion and bold colors. Starring model Viola Podkopaeva captured by fashion photographer Miles Aldridge for the September 2016 issue of Numéro Magazine. See the shoot below: Rei Kawakubo, Reine De L’Avant-Garde Publication: Numéro #176 September 2016 Model: Viola Podkopaeva Photographer: Miles Aldridge Fashion Editor: Samuel François Make Up: Lucy Bridge Nails: Sabrina Gayle Related articles Safari Festival: The new wave of alternative and arts comics, curated by indie publisher Breakdown Press Frank Ocean Perfects Avant-Garde Soul on Poetic, Stripped-Down ‘Blonde’ The French sci-fi comic that inspired Blade Runner and Akira Bound Review
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Nastya Sten by Jack Waterlot
A whimsical, Victorian and completely whited out editorial starring model Nastya Sten. The delicately ghostly portrait series is captured by photographer Jack Waterlot with hair and makeup by Brent Lawler and Sir John. See the shoot below: Publication: Models.com January 2016 Model: Nastya Sten Photographer: Jack Waterlot Fashion Editor: Amy Mach Hair: Brent Lawler Make-up: Sir John
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Natalie Westling by Inez van Lamsweerde & Vinoodh Matadin
Natalie Westling commands the shore in W Magazine’s September 2015 issue, draped in intricate Victorian goth couture. Photographed by Inez van Lamsweerde and Vinoodh Matadin, the series pairs dramatic, laced designs with the rugged beauty of a beach-side shipwreck, creating a visual story that is both eccentric and breathtaking.
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Moschino Menswear S/S 2016
Jeremy Scott does not design quietly. For Moschino Menswear Spring Summer 2016, he staged a collision no one saw coming. Nascar speed collided with Royal Victorian opulence. The result was loud, theatrical, and unapologetically fun.
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Simone Rocha S/S 2015 LFW
Simone Rocha S/S 2015 at London Fashion Week felt almost Victorian at first glance, but nothing here stayed polite for long. The collection flirted with tradition, then deliberately knocked it off balance. You could absolutely imagine corsets living underneath these looks, even though none were shown. The structure was there. The restraint was not.
