Feathered, luxurious and heavily embroidered in jeweled detailing. See the Alexander Mcqueen Ready to Wear S/S 2016 collection designed by Sarah Burton and presented at Paris Fashion Week below:
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Alexander McQueen Menswear S/S 2016 London
Elegant, ethereal and structurally formal with long almost floor length coats and interesting patterns including textiles. See the Alexander McQueen Menswear S/S 2016 collection below:
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Alexander Mcqueen Ready to Wear F/W 2015 PFW
A romantic, Victorian and slighty goth collection. Styled like a disheveled Marie Antoinette, appearing in the occasional floral pedal inspired dress. See the Alexander Mcqueen collection for PFW below: Related articles Sex, Mayhem, and Ghosts of the Unconscious: The Art World’s Multimedia Extravaganza Marie Antoinette + Victorian Celluloid on a bed of Salesman Sample Luxe + silken hand dyed ties = Divine Decadence Discover Your Fashion Personality
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McQ Alexander McQueen Menswear F/W 2015
Best described as a kooky street equestrian that when not in all black wears his highwasted denim.
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Alexander McQueen Menswear F/W 2015
Formal and floral patterned basically resembling camouflage. with the occasional full striking solid. Tailored formal jewel toned punk.
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Alexander McQueen A/W 2014 Lookbook
Colorless ethereal punk. Texturized with fluff, capes and sharp edges. Simply photographed and a to the point lookbook. “It’s Mqcueen bitch.” -me source:
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Alexander McQueen S/S 2015 PFW
Strap tease in black leather and snake skin (some kind of skin). Dark and sever, adorned with black face-masks sectioning of and highlighting facial features. Later blooming into pedal like gowns and skirts. source:
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Alexander McQueen | Men’s Spring/Summer 2015 | Runway Show
Oversized, long, wide and elongated. This theme carried from the shoes to the jackets and suits. With a color pallet of black, white, red and grey the clothing had utilitarian and structured movement even though most were oversize. The young male models trotted out with a similar emo hair pulled forward partially covering their faces. Although there were a few amazing long coats, this collection had an objectionable amount of low impact flair. Like a western magician/white urban gangster feel. Does that even make sense? sheez. Imagine Justin Beiber going to his favorite goofy aunts party. Just watch the runway below and maybe you’ll be able to pull the same references
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Alexander McQueen | Spring/Summer 2014 | Backstage Film
“Faded fabrics that feel they have been left out in the sun and tarnished gold buttons. Hems, lapels and sleeves are unfinished and frayed. The internal structure of suiting is removed to give lightness. The sleeves of a frock coat have been ripped away with seams and shoulder padding left exposed. The silk lining of the suit jacket is introduced as a button-down robe or cardigan, layered over collarless bib shirts and exposed from the sleeves and hem of suit jackets. Worn with pleated loose, long shorts or trousers cropped above the ankle. The iconic McQueen skull motif is reworked into a cotton lace. The lace is adapted as a…
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ALEXANDER MCQUEEN SPRING/SUMMER 2014
Steven Kleins new campaign film and photographs for Alexander McQueen, featuring Kate Moss“Inspiration comes from the many progressive art movements of the early Twentieth Century – a mix of primitive shapes, graphic forms and bold colour. There is a suggestion of the clean lines and the dropped waist of the 1920s in places. Kilts, leggings, biker jackets, boxy coats and tunic tops all feature with a nod to uniform and sportswear. Shoulders are relaxed. Inner structures are absent and garments are finished with laser cutting so that they are eased and light. Metal embellishment, jewellery, and aged multiple zip trim are reminiscent of found objects as are heavy bracelets in…
