Photographer Can Dagaslani’s series Identities captures a quiet, contemplative exploration of self and relational identity. The Berlin-based shoot features models Sophie Bogdan and Marlene Pina, who appear almost like sisters, though their connection extends beyond genetics. Through subtle gestures, mirrored poses, and shared glances, Dagaslani examines how personal identity can both merge and diverge when experienced alongside someone else. Each photograph feels intimate, inviting viewers to question how identity is constructed, perceived, and performed.
Visual Storytelling
The series thrives on minimalism. Dagaslani frames his subjects with clean, unobtrusive backdrops, allowing their expressions, body language, and interactions to take center stage. The models are often paired in poses that suggest harmony yet also tension, echoing the duality inherent in identity itself. Lighting is soft and natural, highlighting skin tones and subtle shifts in mood, creating photographs that feel both cinematic and personal.
Themes of Connection and Contrast
A striking element of Identities is the way it balances similarity and difference. Bogdan and Pina share physical traits and styling choices, yet their presence within the frame emphasizes individuality within sameness. This tension speaks to the layered complexity of identity, where people are constantly negotiating who they are in relation to others. The series invites reflection on empathy, rivalry, and companionship, showing that identity is rarely solitary and often exists in dialogue with others.
Styling and Aesthetic Choices
The styling remains understated, allowing the narrative to unfold naturally. Neutral tones, soft fabrics, and minimal accessories keep attention on the models’ faces and gestures. Dagaslani’s direction emphasizes authenticity and ease, capturing moments that feel lived-in rather than staged. This approach reinforces the conceptual underpinnings of the series while creating a visually cohesive body of work.
Final Thoughts
Identities by Can Dagaslani is a thoughtful meditation on selfhood and relational existence. By pairing two figures who are similar yet distinct, Dagaslani challenges viewers to consider how identity can be both mirrored and independent. The series succeeds as both an aesthetic achievement and an intellectual exploration of connection, perception, and personal narrative.
Credits
Photographer: Can Dagaslani
Models: Sophie Bogdan, Marlene Pina
Location: Berlin
