Bergdorf Goodman’s Pre-Fall 2015 story understands the power of restraint. Featuring Daphne Groeneveld, the editorial feels polished without pressure, indulgent without noise. It is luxury presented as a state of mind rather than a performance.
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“Gender Roles” by Josh Anton
Gender Roles does not ask for permission. It walks straight into the tension between masculinity and feminine glamour and sets up camp. Photographed by Josh Anton, the series stars April Carrion, bringing a layered understanding of performance, identity, and beauty that feels lived in rather than theoretical.
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Kasia Struss by David Bellemere
This editorial feels like a love letter to early nineties Paris, filtered through color and confidence rather than nostalgia. Kasia Struss steps into the role of the chic Parisian woman with natural authority, photographed by David Bellemere for Vogue China Collections June 2015. The result is vibrant, feminine, and quietly powerful.
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Jourdan Dunn by photographer Alasdair McLellan
This W Magazine editorial finds its rhythm somewhere between the late seventies and early eighties, where fashion loosened up, color had confidence, and personality mattered as much as polish. Jourdan Dunn steps into that space with ease, photographed by Alasdair McLellan for the June July 2015 issue. The result feels simple, funky, and joyfully self aware.
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PORTS 1961 CAMPAIGN FEATURES THE WHITE DRESS SHIRT FOR SPRING 2015
Classic, simple and to the point. Dapper looks that can always be downplayed and relaxed. The new PORTS 1961 campaign featuring top male model casually styled in their white dress shirts. Some casual shirt options:
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The Rise of The Old and Unphotoshopped Model
Wrinkles? Disgusting. Cellulite? Barf worthy. Fat? UNFORGIVABLE. This kind of body hate/discrimination is known as a normality in the fashion world. It’s better to be dead than fat and old. The “live fast die young” motto is ever-present and accepted. Something that is ALSO a huge part of the fashion industry is going against the common grain and defying beauties norms. Is this something that is done for publicity? Or more something that needs to be addressed for the overall well-being of self-image. Photoshoots with top photographers and supermodels have been popping up in magazines and social media, with proud unaltered images! (GASP!) Most notably Kate Moss and Cindy Crawford pictured…
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The Pink Panther by photographer Tony Kelly
Ton Heukels takes center stage in a playful and flamboyant editorial for GQ Spain, photographed by Tony Kelly. The series, titled The Pink Panther, is drenched in candy-colored charm and mischievous energy. Heukels moves through the frames with boyish charisma, effortlessly balancing the line between teasing fantasy and confident presence. The editorial feels like a daydream rendered in high fashion, where reality and imagination blur, and the viewer is invited to wonder whether these scenes exist in the model’s mind or in real life.
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Fernanda Ly by photographer Jerome Corpuz
This W Magazine editorial understands restraint, and that is exactly why it works. Fernanda Ly drifts through the frame in white dresses and cotton soft silhouettes, her signature pink hair acting as both punctuation and attitude. Photographed by Jerome Corpuz, the series leans into a light pastel goth mood that feels calm, modern, and quietly subversive.
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Nico Poturalski by photographer Reno Mezger
There is something instantly familiar about Homecoming. This fashion photo series starring Nico Poturalski taps into a suburban rocker fantasy that feels nostalgic, slightly rebellious, and sharply styled without tipping into costume. Shot by Reno Mezger for Marie Claire HK Spring Summer 2015 Accessories, the editorial balances attitude with approachability.
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Julia Bergshoeff by photographer Lachlan Bailey
This WSJ Magazine editorial understands the power of understatement. Julia Bergshoeff appears calm, self possessed, and completely unbothered by the idea of excess. Photographed by Lachlan Bailey, the June 2015 story leans into clarity and control, letting mood and presence carry the narrative rather than theatrics.
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Travis Smith by photographer Milan Vukmirovic
At first glance, it feels uncanny. Too familiar. Too accurate. Travis Smith steps into a Warholian fantasy so convincingly that you almost believe you are looking at lost photographs of Joe Dallesandro himself. The illusion is strong, intentional, and delightfully cheeky.
