This editorial for Intermission Magazine Spring Summer 2015 drops high glamour straight into an unforgiving industrial backdrop and lets the friction do the talking. Shot by Fabien Baron, the series places models Molly Bair, Julia Bergshoeff, Julia Hafstrom, Lili Sumner, Georgia Hilmer, and Esmerelda Seay Reynolds inside environments that feel raw, worn, and slightly hostile. Concrete, metal, and stripped down spaces become part of the styling conversation rather than something to fight against.
-
-
Harleth Kuusik, Molly Bair and Sophie Touchet by Daniel Jackson
This editorial for Exhibition Magazine Spring/Summer 2015 places models Harleth Kuusik, Molly Bair and Sophie Touchet in a forested, almost mystical setting. Photographed by Daniel Jackson, the series juxtaposes high fashion against a natural backdrop that feels both intimate and slightly unsettling. The mood is heightened by worn furniture scattered throughout the clearing and makeup that looks intentionally smudged, suggesting moments of raw vulnerability within a stylized world.
-
Antek Szymczak by photographer Krzysztof Waszak
Polish model Antek Szymczak is featured in a series of fashion portfolio shots captured by photographer Krzysztof Waszak. The photoshoot highlights Antek’s versatility as a model, showing him in a variety of contemporary outfits ranging from tailored suiting to more casual, streetwear-inspired looks. Each frame emphasizes the model’s strong features, posture, and the way garments interact with the body.
-
ELENA MELNIK by photographer ISHI
This Vogue Netherlands May 2015 editorial immediately commands attention through restraint. Elena Melnik appears coated in a fine white powder that softens the surface of each image while sharpening the movement underneath. The powder is not decorative. It becomes part of the narrative, catching light, tracing motion, and emphasizing the body as it shifts and turns. Every gesture feels intentional, slowed down just enough for the viewer to notice the details.
-
Malaika Firth by photographer Emma Tempest
Denim takes center stage in this Vogue Russia June 2015 editorial, and it does so without trying to reinvent itself. Malaika Firth wears the fabric in a way that feels natural, confident, and refreshingly direct. From structured skirts to relaxed trousers and full-length dresses, denim is treated as both everyday material and high fashion staple. Photographer Emma Tempest captures this balance with an eye that feels modern while still nodding to the past.
-
FHM COLLECTIONS CHINA by DAMIEN BLOTTIERE
FHM Collections China presents a bold, geometrical approach to fashion editorial photography through the lens of Damien Blottiere. The editorial pushes the boundaries of conventional presentation, transforming models into living compositions that blend human form with abstract design. Shapes, lines, and angles dominate the visuals, creating a sense of rhythm and movement across each image.
-
Ola Rudnicka by photographer Jan Welters
Ola Rudnicka embodies a modern Western allure in this striking editorial for Vogue Netherlands. Set against the sun-bleached, arid expanse of a desert, the photoshoot emphasizes wide open spaces, warm earthy tones, and rugged textures. The editorial captures the tension between elegance and the raw beauty of the landscape, allowing the model’s poise and strength to contrast against the harsh environment.
-
Italian Gangsters by Peter Lindbergh
A noir fantasy rooted in attitude rather than excess, Italian Gangsters brings together some of fashion’s most striking faces under the unmistakable eye of Peter Lindbergh. Shot for Vogue Italia’s May 2015 issue, the editorial features Sasha Pivovarova, Guinevere Van Seenus, Steffy Argelich, and Kirsten Owen in a cinematic reimagining of classic Italian gangster style.
-
Freja Beha Erichsen by photographer Glen Luchford
Shot for Vogue UK’s June 2015 issue, this editorial places Freja Beha Erichsen in the middle of a wide, unforgiving desert. There is no sense of spectacle for spectacle’s sake here. The location is open, quiet, and intense, which gives the images room to breathe. Glen Luchford uses the landscape the way he often does, not as decoration, but as a mood. The desert heat is almost tangible. You can imagine the dust sticking to skin and the sun pressing down between frames.
-
Smith Vanders by photographer Wendelien Daan
This editorial for Harper’s Bazaar Arabia April 2015 leans fully into softness without losing structure. From the first frame, everything is washed in pink, but not in a sweet or predictable way. The color feels modern, controlled, and intentional. It sets a romantic tone while still leaving room for tension and edge. Photographer Wendelien Daan treats pink as an atmosphere rather than a gimmick, allowing it to shift in depth and temperature across the series.
-
Golf Wang S/S 2015 Lookbook
By Spring/Summer 2015, Golf Wang had already made it clear that it was not interested in polishing itself for mainstream approval. The brand, created by Tyler, the Creator and his Odd Future circle, was operating on its own frequency, and the S/S 2015 lookbook feels like a snapshot of
