Alexander Wang has never been shy about merging luxury with nightlife, and his portable shot glass set feels like a knowing wink to exactly that overlap. Designed as part of the aesthetic universe surrounding his Fall Winter 2014 collection, the accessory leans fully into indulgence, irony, and practicality disguised as provocation.
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Dice Kayek Haute Couture F/W 2014-2015 Structure Couture
Voluminous, structured and short. Full of separate colors ant the occasional light beading to add a bit of texture. Simple style with natural makeup. No full length gowns because the drama was in the shapes alone. source:
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Oscar Carvallo Haute Couture F/W 2014-2015 Don’t Mesh With Me
Medieval princess attending a fancy cocktail party. Mesh and structured pieces. For the most part a neutral color palate with sheen and sparkle. source:
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Ralph & Russo Haute Couture F/W 2014-2015
Glamorous cool off-whites and black lipstick eventually leading into jewel tone then full black gowns. Got to keep it goth bitch, this aint no Elie Saab show. source:
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Interpol – All The Rage Back Home (Official Music Video)
The music video for Interpols track titled All The Rage Back Home from their much awaited upcoming album El Pintor. It’s the first single released of the album and it’s Interpol perfection. Haunting, hypnotic and catchy. The video was directed by lead singer Paul Banks and Sophia Peer. Geez, this album will be great.
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Antonio Ortega Haute Couture F/W 2014-2015
The collection moved deliberately between two visual languages. On one side, sharply tailored, hunting-inspired garments suggested discipline, protection, and structure. These looks carried a sense of readiness, as though designed for survival within constructed systems. On the other, feathered and leafy ensembles evoked something primal and organic. Soft, textured, and instinctive, these pieces leaned into nature as both armor and ornament.
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Illustrations by Julia Trybala
The figures in Trybala’s work often appear detached, bored, or mildly unimpressed, expressions flattened just enough to feel intentional. Faces are rendered with a kind of charming indifference, eyes heavy-lidded, mouths barely reacting. That emotional restraint becomes the hook. The characters feel self-aware, as though they are in on the joke but not interested in explaining it.
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Serkan Cura Haute Couture F/W 2014-2015
Corsetry formed the structural backbone of the collection. Bodies were shaped, framed, and disciplined through tightly constructed silhouettes that emphasized strength rather than fragility. These were not corsets designed for nostalgia. They felt modern, architectural, and commanding, functioning as both garment and armor. The structure gave the collection a sense of authority that carried from look to look
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Valentino Haute Couture F/W 2014-2015
Among the most striking moments was the full-length black feather cape. It stood apart from the collection’s softness, introducing density and shadow. The feathers added a sense of gravity, transforming the look into something ceremonial and powerful. It felt less like adornment and more like armor, a quiet counterpoint to the collection’s airier elements.
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Viktor & Rolf Haute Couture F/W 2014-2015 A Fresh Towel
Despite the humor, the collection never felt careless. Viktor & Rolf’s control was evident in construction and proportion. The garments held their shape. The joke never overpowered the execution. That balance is what allowed the show to succeed as couture rather than costume
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Vionnet Haute Couture FW 2014 2015
The silhouettes were meticulously shaped, many appearing folded, pleated, or sculpted directly onto the body. These constructions gave the garments an almost mathematical elegance, where each angle and curve felt intentional. Yet despite their complexity, the gowns never appeared rigid. The structure served as framework rather than constraint.
