For decades, fur coats have lived inside a very specific visual box. On one end, there is the image of the glamorous woman, wrapped in opulence, photographed on marble steps or exiting a town car. On the other, a far less flattering stereotype persists, the cartoonish, polyester-adjacent relic of the 1970s, dripping in excess without taste. Somewhere along the way, fur became shorthand for parody rather than possibility, especially when worn by men.
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Trend Watch: No Pattern Mixing
Pattern mixing has had a long, generous moment. Stripes layered with tartan, florals clashing with checks, textures piled on with confident abandon. It became the shortcut to looking styled without appearing overly considered. Throw two contrasting prints together and the outfit announces itself as intentional, even if the effort stopped there. It is effective, accessible, and yes, widely adopted.
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Niall Underwood
Niall Underwood in Oyster Magazine.
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Yves Saint Laurent S/S 1999 campaign photographed by Mario Sorrenti
Looking back at the Yves Saint Laurent Spring Summer 1999 campaign is a reminder of how fashion can operate as both image-making and cultural memory. Long before nostalgia cycles accelerated and archival references became a default marketing strategy, this campaign stood as a quiet but powerful study in restraint, beauty, and historical awareness.
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Prada Inspired by Serial Killers
Fashion has always pulled from unexpected places. While runways are often framed as spaces of beauty and aspiration, the creative undercurrent beneath them is frequently darker, more psychological, and far less polite. Within art and popular culture, there has long been a fixation on criminals and outcasts, figures whose stories sit at the edges of society yet continue to captivate collective imagination. Music, film, and visual art have explored this territory for decades. Fashion, inevitably, followed.
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Lana Del Rey – So Legit
“Stefani [Lady GaGa’s real name], you suck, I know you’re selling twenty million Wish they could have seen you when we booed you off in Williamsburg,” Lana Del Rey sings in So Legit, a song she wrote about Lady GaGa. “You’re looking like a man, you’re talking like a baby,” the singer also hurls in the damning song. After the song hit the Internet, GaGa’s fans – her “Little Monsters” – began to viciously attack Del Rey on Twitter and Facebook. Thus far, GaGa has remained silent on the song. Listen above and read all the explosive lyrics after the jump! You were the freak king of the piercing shop…
