Beautiful illustrated depictions by artist Kaethe Butcher featuring lezgirl centric topics. The images are very raunchy but also have depth and romance. I assume like most passionate relationships. Symbolic with the occasional written statement nuzzled in the story. Enjoy the images below. source:
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Art by Justin Mortimer
From a body suspended by the neck to an unclothed consumed by encroaching forest fires, Mortimer’s paintings do not shy away from discomfort. The scenes are carefully composed, with precise attention to light, texture, and detail that amplifies the sense of unease. Each work feels like a glimpse into private torment, capturing confusion, vulnerability, and the darker edges of the human experience.
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Clemency by artist Jessica Slagle
Like an eclectic kaleidoscope artist Jessica Slagle’s series titled Clemency Catches your attention and makes your eyes soak up the information placed before you. Each piece beautifully saturated by symbolism. Much that we assume is personal to the artist and experience specific. That being said we were curious and asked the backstory behind her favorite piece, that also happens to be the one that started the series. She tells graveravens:“My favorite piece in this series is the first piece that I created for it. About a year ago, I started really getting into yoga. I was going through a pretty rough time and I found that taking 3-5 classes a week worked better…
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The Times by artist Fred Tomaselli
The work has a playful yet meticulous energy. Tomaselli reimagines headlines, photographs, and layout elements, turning them into intricate designs that merge abstraction, decoration, and cultural commentary. There is a sense of nostalgia for the printed page, combined with a contemporary approach to color, texture, and form. Each piece is unique, elevating a widely consumed daily object into something rare and collectible.
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Leave me, by Andre Elliott
Andre Elliott’s Leave Me is a photographic meditation on isolation, introspection, and the quiet aftermath of social excess. The series captures the moments after a party has ended, when the revelry fades and the mind turns inward. Empty rooms, scattered decorations, and dim lighting create a sense of abandonment, reflecting the internal tension of being awake while the world around you sleeps.
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Vagina Lettuce and Penis Grapes, art by Aurel Schmidt (NSFW, i assume)
“In two of Aurel Schmidt’s more recent series, the artist’s highly rendered drawings depict leafy vagina lettuce and ginger toes, among other inventive combinations of body parts and edibles.” source:
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WTF Baby Sculptures by Johnson Tsang
Johnson Tsang’s baby sculptures provoke an immediate, visceral reaction. Confusion. Discomfort. A nervous laugh. The figures are unmistakable. Milky white, porcelain-like babies with oversized heads, frozen mid-action as they wrestle, collide, and scramble over one another. The effect is absurd and unsettling all at once. If there were ever a case for a genre called “crazy milk babies,” this might be it.
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Wild Art by Ana Teresa Barboza
Peruvian artist Ana Teresa Barboza explores the boundaries between human and animal through her intricate and provocative embroidery. Her work transforms fabric into immersive, tactile worlds where humans and wildlife coexist in ways that are both intimate and unsettling. The scenes are carefully constructed yet feel alive, a testament to Barboza’s skill in marrying technique with narrative.
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Adam Tan Paintings
Color is handled with control. Palettes tend to feel smooth and cool, reinforcing the work’s composed atmosphere. Nothing feels loud or reactive. Instead, the surfaces feel considered, almost meditative. This composure allows the symbolic elements to resonate more strongly, as there is space for them to breathe.
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Artist Marilyn Minter, HD Oil on Canvas
Marilyn Minter’s paintings operate at a scale and intensity that often confuses the eye before it clarifies the mind. At first glance, her work reads as hyper-real photography. The surface is so sharp, so meticulously rendered, that the instinctive reaction is technological rather than painterly. What camera was used. What lens. What lighting setup. The revelation that these images are oil on canvas arrives slowly, and when it does, it reframes everything.
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Mixed Media Portraits by Bernhard Handick
Bernhard Handick’s mixed media portraits exist in a space where familiarity becomes unstable. At first glance, the faces feel recognizable, drawn from pop culture and fashion photography, images we have been trained to read instantly. But Handick interrupts that recognition just long enough to make it strange again. What emerges is a body of work that feels seductive, fractured, and quietly surreal. The foundation of these portraits often begins with photography, particularly imagery tied to celebrity, editorial fashion, or mass media. Handick then disrupts that surface through manipulation. Photographs are layered, spliced, and overpainted. Faces blur into other faces. Features are obscured, multiplied, or partially erased. The act of painting…
