Artist Steve Kim creates bright, color-blocked mixed media illustrations that explore themes of possession, portraiture, and abstract symbolism. His work combines bold hues with layered textures to produce visually striking and conceptually rich images. It is vibrant, thought-provoking, and experimental.
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Love by artist Raphaëlle Martin
Love by artist Raphaëlle Martin is a mixed media series that feels intimate without being sentimental. It explores romance not through grand gestures, but through restraint. By removing most of the visual noise, Martin asks us to focus on connection itself. The result is quiet, emotionally charged, and unexpectedly tender.
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Artwork by Faig Ahmed
Azerbaijani artist Faig Ahmed transforms traditional rug design into a modern exploration of form and perception. His work takes familiar patterns and textures from cultural rugs and reimagines them in a way that feels both playful and disorienting. The results are vibrant, dynamic, and visually striking, challenging the viewer to reconsider what is familiar.
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Boneface Illustrations
Boneface delivers a snarly, irreverent illustration series that blends neon punk aesthetics with post-apocalyptic energy. Known for his sharp, edgy style, the artist reimagines familiar pop culture figures in worlds that are chaotic, vibrant, and full of attitude. Each piece feels alive with personality, offering a playful yet slightly menacing twist on the characters we think we know.
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The Chanel x 666 series by artist Roberta Marrero
Roberta Marrero’s Chanel x 666 series reimagines classic Chanel lipstick campaigns with a dark, playful twist. The work blends high-fashion glamour with ghoulish, unexpected characters, creating a provocative and visually striking reinterpretation of beauty advertising.
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Artwork by Waldemar Strempler
German artist Waldemar Strempler is a master of form, technology, and imagination. Working as a sculptor, graphic designer, and visual innovator, he manipulates images to create new perspectives on the human body.
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Anne de Vries – Brain to Brain Interface
Anne de Vries’s Brain to Brain Interface is the kind of series that pulls you in quietly, then refuses to let you look away. Created in 2014, the work uses mixed media portraiture to explore memory, connection, and the way images live inside our minds long after we think we have moved on.
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Mixed Media Art by Eugenia Loli
“It’s important for me to “say” something with my artwork, so for the vast majority of my work there’s a meaning behind them. I usually do this via presenting a “narrative” scene in my collages, like there’s something bigger going on than what’s merely depicted. Sometimes the scene is witty or sarcastic, some times it’s horrific with a sense of danger or urgency, some times it’s chill. I leave it to the viewer’s imagination to fill-in the blanks of the story plot.” -Artist Eugenia Loli source:
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Duplicity by artist Matthieu Bourel
Matthieu Bourel’s Duplicity is a facial manipulation series that turns recognition into something strange and absorbing. Using duplicated elements from the same or related photographs, Bourel morphs old Hollywood starlets and actors into portraits that feel elegant at first glance, then quietly disturbing the longer you look.
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Ecotone 2014 by artist Jacob van Loon
Jacob van Loon’s Ecotone is a mixed media portrait that feels raw, deliberate, and quietly confrontational. Created as an assemblage on panel in diptych form, the work explores tension, overlap, and contrast, both visually and emotionally. It sits in that charged space between beauty and disruption, where nothing feels accidental and everything asks you to look twic
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Sweets Portraits by Photographer James Ostrer
Photographer James Ostrer documents our obsession with sugar in a series of grotesque real life portraits of people covered in layers of sweets and junk food. Speaking largely on the to the global food production and increasingly dangerous methods of mass production, Ostrer’s photographs conjure tribal images that are both fascinating and repulsive. Via the press release, “This adornment becomes a mask of what we eat which then becomes entwined with a hyper-pop sensibility and an obsequious inquiry into the great volumes of sugar that flow through our bodies.”
