• LENNI AW 2014 Lookbook
    FASHION

    LENNI A/W 2014 Lookbook

    Vintage never goes out of style, but right now it is having a major moment. Runways this season are full of 70s-inspired throwbacks, and Australian label LENNI captures that energy beautifully. Their A/W 2014 lookbook is a masterclass in cool, vintage-inspired pieces with a modern twist.

  • Emilio Pucci SS 2015 MFW
    FASHION,  Runway

    Emilio Pucci S/S 2015 MFW

    Emilio Pucci Spring Summer 2015 at Milan Fashion Week was a full throwback moment, and it owned every second of it. This was sexy, girly, and unapologetically nostalgic. The kind of collection that makes you want to dance before you even leave your seat. From the start, the influence of the 1970s was impossible to miss. It lived in the silhouettes, the prints, and the way the clothes moved. Minis were short. Cuts were confident. The fits hugged and released in all the right places. This was Pucci doing what Pucci does best, channeling glamour with a playful edge.

  • iIllustrations by Olex Oleole
    ART,  Misc.

    iIllustrations by Olex Oleole

    Look closer, and the illustrations reveal layers of visual symbolism and playful detail. Objects, animals, and figures interact in unexpected ways, inviting the viewer to explore each image and discover hidden narratives. The work balances the formal elegance of traditional ink drawing with a whimsical, contemporary sensibility.

  • MUSIC

    Lana Del Rey – “Ultraviolence” (Official Video)

    Is that old footage of Mrs. Presley? Nah, It’s your girl Lana Del Rey having a romantic (but lonley) vintage moment in a garden playing with her white veil and dress. Filmed with an old fashion camera and/or a filter option she glamorously struts the yard, sucks the camera mans finger, eats an orange and carries her white bouquet. Check out the new music video for Ultraviolence by Lana Del Rey below:

  • Vintage Art by Federico Hurtado
    ART,  Misc.

    Vintage Art by Federico Hurtado

    Hurtado’s technique emphasizes the materiality of the books themselves. The covers and pages are not erased or replaced but become part of the work, framing the altered imagery and adding context and texture. This approach gives his pieces a layered quality, where past and present, original and altered, collide in visually striking ways. The original content of the books informs the new narratives, lending a sense of continuity while inviting reinterpretation.