Model Alexander Johansson stars in a 90’s-inspired futuristic editorial for Out, September 2014, blending nostalgia with a distinctly modern edge. The images channel a dark, galaxy-like aesthetic reminiscent of The Matrix, where sleek lines meet bold, chunky tailoring to create a sense of otherworldly tension.
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Angelo Page by photographer Caroline Mackintosh
Model Angelo Page is captured in a strikingly minimalist setting for a photoshoot by Caroline Mackintosh. The imagery unfolds inside an empty train, lending the series an intimate yet slightly cinematic atmosphere. The confined space emphasizes movement and presence, allowing Page’s charisma to dominate each frame.
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LOST by photographer Boje Ploeg
Photographer Boje Ploeg captures male model Quincy Currie in a sun-drenched editorial titled LOST for Blu Magazine. The shoot places Currie on an isolated island, exploring the tension between vulnerability and strength in a raw, untamed environment. The location becomes as important as the model, framing the story with sand, water, and sky.
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Antonia Goy Urban Serpentine 2015 Lookbook
Antonia Goy’s 2015 lookbook, Urban Serpentine, channels a dark, glamorous punk energy. The collection feels like city streets at night translated into fashion, with black streetwear as the base and subtle, unexpected details adding texture and depth. Many pieces incorporate scale-like patterns and textiles, giving the garments a serpentine edge that feels both fierce and sophisticated.
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ASOS S/S 2014 Lookbook
The prints are unapologetically cheeky. Cat motifs, pug faces, and heart patterns cover the fabrics, turning each piece into a statement. There’s a sense of humor woven into the styling, but it never overshadows the craftsmanship or the clean lines of the garments. The collection feels youthful and approachable, celebrating fashion as a way to express personality.
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Haim Tor photographed by Guy Hecht
The editorial mixes high drama with subtle energy. Couture-like pieces, including a flowing dark chiffon gown, sit alongside sharply structured outfits, creating contrast that is both visually compelling and dynamic. Tor moves through the frames with confidence, embodying strength and poise that carries each extreme look with ease.
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2OR+Byyat S/S 2015 Copenhagen Fashion Week
Styling played a major role in defining the mood. Models wore exaggerated 80s anarchist inspired hairstyles paired with heavy, statement eye makeup that pushed the looks further into punk territory. The overall effect felt theatrical yet intentional, reinforcing the brand’s experimental spirit.
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Henrik Silvius Menswear S/S 2015
Henrik Silvius’s Spring Summer 2015 menswear collection arrived with a quiet provocation that felt both playful and deliberate. Pants, or rather the absence of them, became a central talking point, not as shock value but as a conceptual nudge. Silvius treated trousers as optional, even arbitrary, questioning their role as one of fashion’s most rigid gender markers. What could have read as gimmicky instead unfolded with restraint and polish.
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Wali Mohammed Barrech S/S 2015 Copenhagen Fashion Week
Wali Mohammed Barrech’s Spring Summer 2015 collection at Copenhagen Fashion Week leaned into a distinctly utilitarian vision of the future, one that felt urban, technical, and sharply observed. From the first look, the clothes suggested movement through a city rather than presentation on a runway. This was fashion designed with pace and purpose in mind.
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Ganni S/S 2015 Copenhagen Fashion Week
The collection drew from the natural, functional beauty often associated with athletes. Think warm ups, post match ease, and the quiet polish of someone who looks good without trying too hard. The garments felt designed for bodies in motion, even when styled for the runway. Pieces were streamlined and unfussy, with a focus on wearability and comfort that still read as intentional and modern.
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Nicholas Nybro S/S 2015 Copenhagen Fashion Week
The easiest comparison is an 80s gypsy neon circus, though even that feels like an understatement. Saturated hues clashed and harmonized at the same time. Textiles were layered, manipulated, and exaggerated, creating silhouettes that felt sculptural and animated. Every look seemed to carry its own personality, yet all were tied together by a consistent sense of theatrical confidence.
