Iris Strubegger embodies a quiet, refined elegance in this floral-inspired editorial photographed by Raf Stahelin for Harper’s Bazaar Spain May 2015. The images celebrate simplicity and symmetry, presenting the model almost as a living sculpture among flowers that echo her grace and poise. Her presence is serene yet commanding, making each frame feel deliberate and artful.
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Molly Bair by photographer Marlene Marino
Molly Bair exudes an unusual, leggy elegance in this editorial that contrasts Midwestern simplicity with high-fashion eccentricity. The photoshoot takes place inside a vintage home, emphasizing muted tones, worn textures, and the quiet atmosphere of everyday life. Molly moves solemnly through rooms, her presence both striking and introspective, transforming the ordinary into an editorial narrative.
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Sam Rollinson by Sean+Seng
Sam Rollinson takes center stage in a couture editorial set against the energetic streets of Turkey. Photographed by Sean + Seng for Vogue Turkey’s May 2015 issue, the series blends high fashion with everyday urban life. The cityscape becomes more than a backdrop. It interacts with the clothing and the model, providing contrast and texture that make each image feel alive.
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Artwork by Joseph James
Joseph James’ work is a study in linearity and spontaneity. Each piece balances precise lines with bursts of color, creating compositions that feel both deliberate and unpredictable. There is a rhythm to the placement of shapes and strokes, as if the canvas itself is guiding the artist’s hand.
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Some of the First Color Photographs by Mervyn O’Gorman
Mervyn O’Gorman was ahead of his time. Using the Autochrome technique, a groundbreaking photographic process in the early 1900s, he captured some of the first true color images in history. These photographs feel alive, almost magical, considering how new color photography was at the time
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Aya Jones by photographer Harley Weir
Aya Jones brings a burst of energy and fun to i-D Magazine’s Spring 2015 issue. Photographed by Harley Weir, this editorial is a celebration of springtime in full swing. Lemon trees, camels, and sun-drenched landscapes create a whimsical and unexpected backdrop for high fashion. The mood is light, playful, and utterly charming.
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Gisele Bündchen by Zee Nunes
Gisele Bündchen transforms into a vision of fluid elegance for Vogue Brazil’s May 2015 issue. Photographed by Zee Nunes, the editorial immerses Gisele in a variety of liquids, from gentle sprinkles to full-body dips. The imagery is at once bold, sensual, and visually striking, turning water into a fashion accessory that interacts with both the model and the clothing.
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Toro Y Moi – Lilly (Music Video)
“Behold the exclusive #NeverHideNoise premiere of Toro Y Moi’s ‘Lilly’ from his new album ‘What For?’ – out now on Carpark Records. iTunes: http://smarturl.it/whatfor_itunes Carpark: http://bit.ly/1GqP0n2“ CREDITS Director — HARRYS Production Company — Ways & Means Executive Producer — Lana Kim Executive Producer — Jett Steiger Producer — Sonja Mereu Production Manager — Ovidio Jimenez Assistant Director — Ryan Lacen Director of Photography — Frank Mobilio Steadicam — Jon Beattie Gaffer — Lucas Pitassi Key Grip — Zander Kroon Set Photography — Josh Terris Production Designer — Dominic Guidote Production Designer — Jill Bencsits Wardrobe — Chanel Bryan
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Caroline Trentini by photographer Willy Vanderperre
Willy Vanderperre captures Caroline in ways that blend natural movement with high-fashion precision. The photographs feel alive, as if the flowers themselves are interacting with the model. Composition and lighting bring out the layers and textures, giving the editorial a cinematic quality.
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Lindsey Wixson by photographer Karen Collins
Lindsey Wixson brings her signature charm to Numéro Tokyo’s June 2015 issue. Photographed by Karen Collins, the editorial is simple yet striking. The focus is on pastel color blocking, subtle flirtation, and effortless elegance. Each look feels approachable while still exuding high-fashion sophistication.
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Deformed Portraits by artist Lee Griggs
Madrid-based artist Lee Griggs challenges the very notion of identity with a striking series of deformed portraits. Faces of models are transformed into abstract, almost unrecognizable forms. Griggs stretches, multiplies, and reshapes features, turning human faces into surreal and dreamlike visions.
