Artist Fab Ciraolo reimagines classic cartoon heroes in his portrait series Old School Heroes, merging nostalgia with modern style. In this series, familiar characters are dressed in contemporary, trendy clothing, giving them an entirely new personality while keeping their iconic traits recognizable.
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ASOS S/S 2014 Lookbook
The prints are unapologetically cheeky. Cat motifs, pug faces, and heart patterns cover the fabrics, turning each piece into a statement. There’s a sense of humor woven into the styling, but it never overshadows the craftsmanship or the clean lines of the garments. The collection feels youthful and approachable, celebrating fashion as a way to express personality.
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Haim Tor photographed by Guy Hecht
The editorial mixes high drama with subtle energy. Couture-like pieces, including a flowing dark chiffon gown, sit alongside sharply structured outfits, creating contrast that is both visually compelling and dynamic. Tor moves through the frames with confidence, embodying strength and poise that carries each extreme look with ease.
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2OR+Byyat S/S 2015 Copenhagen Fashion Week
Styling played a major role in defining the mood. Models wore exaggerated 80s anarchist inspired hairstyles paired with heavy, statement eye makeup that pushed the looks further into punk territory. The overall effect felt theatrical yet intentional, reinforcing the brand’s experimental spirit.
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Illustrations by Kaethe Butcher (probably NSFW)
Beautiful illustrated depictions by artist Kaethe Butcher featuring lezgirl centric topics. The images are very raunchy but also have depth and romance. I assume like most passionate relationships. Symbolic with the occasional written statement nuzzled in the story. Enjoy the images below. source:
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Henrik Silvius Menswear S/S 2015
Henrik Silvius’s Spring Summer 2015 menswear collection arrived with a quiet provocation that felt both playful and deliberate. Pants, or rather the absence of them, became a central talking point, not as shock value but as a conceptual nudge. Silvius treated trousers as optional, even arbitrary, questioning their role as one of fashion’s most rigid gender markers. What could have read as gimmicky instead unfolded with restraint and polish.
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Wali Mohammed Barrech S/S 2015 Copenhagen Fashion Week
Wali Mohammed Barrech’s Spring Summer 2015 collection at Copenhagen Fashion Week leaned into a distinctly utilitarian vision of the future, one that felt urban, technical, and sharply observed. From the first look, the clothes suggested movement through a city rather than presentation on a runway. This was fashion designed with pace and purpose in mind.
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Ganni S/S 2015 Copenhagen Fashion Week
The collection drew from the natural, functional beauty often associated with athletes. Think warm ups, post match ease, and the quiet polish of someone who looks good without trying too hard. The garments felt designed for bodies in motion, even when styled for the runway. Pieces were streamlined and unfussy, with a focus on wearability and comfort that still read as intentional and modern.
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Nicholas Nybro S/S 2015 Copenhagen Fashion Week
The easiest comparison is an 80s gypsy neon circus, though even that feels like an understatement. Saturated hues clashed and harmonized at the same time. Textiles were layered, manipulated, and exaggerated, creating silhouettes that felt sculptural and animated. Every look seemed to carry its own personality, yet all were tied together by a consistent sense of theatrical confidence.
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Nicklas Kunz Menswear S/S 2015 Copenhagen Fashion Week
Nicklas Kunz’s Spring Summer 2015 menswear collection at Copenhagen Fashion Week leaned confidently into a sporty, urban mindset. The clothes were loose fitting and athletic, designed to emphasize movement and the body without relying on heavy structure or unnecessary detail. It was a direct and physical approach to menswear, rooted in strength and simplicity.
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Designskolen Kolding S/S 2015 Copenhagen Fashion Week
The looks were eclectic and heavily layered, with multiple concepts often living within a single outfit. Shapes, textures, and references overlapped freely, creating garments that rewarded closer inspection. At times it felt like several collections were unfolding at once, but the overall narrative never fractured. Instead, the variety became its strength.
