Recently broken free from Interscope Records, Azealia Banks releases her new music video titled Heavy Metal and Reflective. A motocross desert kidnapping, leaving her tied to a chair. This can be viewed symbolizing her very public disagreements with her previous record label. Obviously she’s not with Interscope Records anymore so you basically know how the video will end. The video is heavy on taste, style and symbolism. Not too much of a streamline story but enough to get the point across. Hopefully now that Banks is doing her own thing we will be seeing her releasing new stuff like a bat outta hell. Enjoy the music video below. I love…
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Helmaph & Roditus A/W 2014 Lookbook
The styling highlights oversized proportions and layered silhouettes, giving each piece a sense of comfort and presence without losing sophistication. The outerwear appears substantial yet approachable, a balance that defines the collection’s aesthetic. Textures, from thick, cozy fabrics to delicate meshplay against one another, adding depth and intrigue to each look.
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Interview: MonsiieurAlex for Graveravens
We had the opportunity to chat with the talented beauty & style guru MonsiieurAlex . In a community dominated by the often ( sometimes overzealous) female it’s refreshing to see a unique, informative and tasteful point of view from a gentlemen. His makeup tutorial’s display the use of quality makeup while still withholding the natural essence and masculine vigor. This goes to show such topics should never be taboo and gender specific. MonsiieurAlex’s helpful tips and reviews can be useful towards everyone. Read our interview with MonsiieurAlex below: Q: At what age did you discover your passion for beauty, style and fashion? A: The real answer to that would probably be around 6th…
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Paintings by Artist Cristina Troufa
ristina Troufa’s acrylic paintings on canvas explore human interaction, everyday objects, and the interplay between the symbolic and the playful. Her work often captures moments of connection, conflict, or whimsy, translating them into compositions that feel both familiar and thoughtfully abstracted.
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Petra Ptackova S/S 2014 Lookbook
Petra Ptackova’s Spring Summer 2014 lookbook transports viewers into a pastel-drenched, Marie Antoinette–inspired world rendered in delicate ink illustrations. The editorial blends high-volume silhouettes with intricate styling, creating a space where fashion and fantasy coexist seamlessly. Both menswear and womenswear are included, allowing the collection to explore a playful dialogue between structure, color, and theatricality.
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George Bezani’s “I Give You All” Lookbook
The garments themselves are striking, blending unexpected silhouettes, textures, and details. Each outfit features standout pieces paired with carefully chosen accessories, from elaborate headgear to statement jewelry. The styling emphasizes individuality, encouraging the viewer to see fashion as both expressive and adventurous.
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Art by Bill Sussman
Poland based artist Bill Sussman’s portraits(NSFW/Dim your screens brightness) of erotic circumstances, some sexual activities playfully replaced with familiar objects some anthropomorphic nude robots feeling themselves up. source:
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PULL & BEAR Lookbook 2014
The collection focuses on lightweight fabrics, easy silhouettes, and subtle layering. T-shirts, open shirts, relaxed trousers, and casual outerwear are styled in a way that feels natural rather than forced. The layering is light and intentional, adding dimension without sacrificing the breezy mood that defines summer dressing.
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Happy Never After
The power of the series lies in contrast. Saint Hoax uses polished, recognizable imagery and overlays it with bruises, swelling, and expressions of exhaustion or fear. The result is deeply uncomfortable, but that discomfort is central to the work’s purpose. Domestic violence is not abstract or distant, and the artist removes the option for detachment by placing it within a visual language that most people recognize instantly.
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Thakoon Resort 2015
Silhouettes throughout the collection feel unusual yet familiar. Shapes are recognizable but subtly reworked, allowing the garments to feel approachable while still offering something unexpected. This balance gives the collection a sense of ease, as if each piece naturally belongs in the wearer’s wardrobe while still making a distinct visual statement.
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Preppy Bad Boy, Louis Brayson photographed by Haringman
The editorial moves fluidly between contrasts. Preppy, casual suiting anchors the narrative, referencing uniforms, expectation, and structure. Crisp jackets and tailored pieces suggest order and control, but the mood never fully settles into neatness. Brayson carries an edge that disrupts the polish, making the looks feel lived-in rather than performative.
