Apple Martin is having her main-character debut. For Self-Portrait’s fall 2025 campaign, the 20-year-old steps out of her mother’s Hollywood shadow and into her own cinematic orbit. Shot by Ryan McGinley and styled by Mel Ottenberg, the campaign unfolds somewhere between fantasy and folklore an orchard, a forest, and a feeling of quiet rebellion. McGinley’s lens has always found beauty in the in-between, and here it meets Apple’s soft defiance head-on. One frame catches her standing barefoot in a white gown, a golden snake curled around her shoulders like both accessory and omen. It’s pure symbolism: innocence meeting power, the kind of image that lingers long after the scroll. Another…
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Russell Tovey by Jason Hetherington
Russell Tovey has always carried that rare mix of warmth and provocation. In Jason Hetherington’s new Man About Towneditorial, he becomes a pseudo-intellectual daydream, equal parts campus crush and art-school rebel, framed in cigarettes, coffee cups, and...
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Amelia Gray Closes Out PUMA’s Mostro Era with a Midnight Glow
Amelia Gray has officially entered her nightlife era. For PUMA’s latest and final Mostro drop, the model-slash-it-girl steps into the streets like the main character of a moody downtown film...
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José Ramiro by Jack Rainbow: Leather, Performance, and the Queer Archive
There’s a charge in the air when José Ramiro steps in front of Jack Rainbow’s lens. The editorial is less about posing and more about staging masculinity itself, a play in leather straps, heavy boots, and...
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Paul Mescal and Josh O’Connor Hold Queer Sweetness in Ruven Afanador’s Portraits
There is something quietly devastating about seeing Paul Mescal and Josh O’Connor together in Ruven Afanador’s promotional photography for The History of Sound. It is not just that they look beautiful, though of course they do. It is that Afanador’s lens seems to hold them in a delicate pause, a moment between desire and loss...
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Davide Zongoli by Angel Ruiz
On a rooftop that feels both public and strangely private, Davide Zongoli wears nothing more than a pair of swim briefs. Whether there is a pool up there or not remains unclear, but the...
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ALL–IN N°8 x Esther Theaker x Makram Bitar: Indie Sleaze Reborn
There is a new kind of fashion nostalgia on the rise, and it is not glossy or precious. It is messy, sexy, and charged with the louche confidence of the early 2010s. The editorial for ALL–IN N°8, shot by photographer Esther Theaker with styling by...
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Archie Madekwe Steps Into His Own Spotlight by Álvaro Beamud Cortés
The editorial itself mirrors that same duality. In Álvaro Beamud Cortés’ lens, Madekwe slips easily between structured tailoring and fluid shapes, a reminder that he’s equally at home in a Prada suit as he is in the unpolished grit of...
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Kirsten Dunst Rediscovers the Art of Dressing Up (Even If No One’s Watching)
The references to Marie Antoinette are there, subtle but deliberate. Dunst herself once said that playing Sofia Coppola’s doomed queen was one of the most liberating roles of her career: “I was 23, wearing Vivienne Westwood corsets and Manolo Blahnik heels, eating...
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Austin Butler goes Macho (and It’s Magically Human) Under the Glistening Muscles
What makes it more than just another sweaty glossy spread are the stories beneath all that skin. Butler has been making jaw-dropping physical transformations lately, and not just for kicks. For Caught Stealing, directed by Darren Aronofsky, he...
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Giacomo Recchia Takes a Dip
This isn’t new terrain for him. Over the years, Recchia has developed a reputation for producing editorials where he alone is subject, stylist, and photographer. His archive features striking self-shot series where...
