Alan Zepeda’s Resort 2015 collection presents a thoughtful collision of ancient reference and contemporary ease. The Mexican designer draws from the visual language of Greek togas, translating their fluidity and drape into garments that feel modern, relaxed, and intentionally unbound by traditional categories. Rather than leaning into costume, the collection uses classical forms as a foundation for everyday wear.
-
-
Lookbook for THE 2 BANDITS Fall 2014 ft. Allie Crandell
The 2 Bandits Fall 2014 lookbook is a cinematic exploration of the American West, reimagined through contemporary fashion. Featuring model Allie Crandell, the series captures the dusty, expansive energy of frontier landscapes while grounding the collection in wearable, statement pieces. The shoot feels perfectly aligned with the brand’s name, evoking the wildness, independence, and rugged romance of a bygone era
-
Miu Miu Fall/Winter 2014 Advertising Campaign Video
“Actress Stacy Martin appears as a modern-day Warholian superstar in Miu Miu’s latest campaign, shot by eminent fashion photographer, Steven Meisel. Monochrome set ups capture the star of the moment channeling multiple feminine personas. The new darling of independent cinema, star of Lars Von Trier’s Nymphomaniac, projects a quiet strength. Meisel’s bare sets and stark lighting accentuate her effortless beauty. Bold yet harmonious texture contrasts — transparent plastic, quilted nylon, brocade, knit and astrakhan — are amplified by her subtle presence. There is a mysterious undercurrent to Meisel’s cinematic images too, a far-off look, arms folded, legs crossed, a finger provocatively raised to the lips. Darkness and light exist side…
-
House of V S/S 2015
The collection leaned into nostalgia without becoming literal. Subtle references to the 1990s and early 2000s were woven throughout, from sporty silhouettes to layered styling, but the effect was modern and wearable. House of V’s approach balanced trend awareness with practicality, ensuring that every outfit could function in real life while retaining runway impact.
-
UNIF S/S 2014 Lookbook, 90’s Beach Punk
The styling leans heavily into nostalgia without becoming costume. Scrunchies reappear without irony. Tie-dye shows up soft and worn, more personal than performative. Platform shoes ground the looks with weight, while knitwear is casually thrown over dresses as if styled in motion rather than planned. Nothing feels precious. Everything feels instinctive.
-
Portable Shot Glasses by Alexander Wang
Alexander Wang has never been shy about merging luxury with nightlife, and his portable shot glass set feels like a knowing wink to exactly that overlap. Designed as part of the aesthetic universe surrounding his Fall Winter 2014 collection, the accessory leans fully into indulgence, irony, and practicality disguised as provocation.
-
Dice Kayek Haute Couture F/W 2014-2015 Structure Couture
Voluminous, structured and short. Full of separate colors ant the occasional light beading to add a bit of texture. Simple style with natural makeup. No full length gowns because the drama was in the shapes alone. source:
-
Oscar Carvallo Haute Couture F/W 2014-2015 Don’t Mesh With Me
Medieval princess attending a fancy cocktail party. Mesh and structured pieces. For the most part a neutral color palate with sheen and sparkle. source:
-
Ralph & Russo Haute Couture F/W 2014-2015
Glamorous cool off-whites and black lipstick eventually leading into jewel tone then full black gowns. Got to keep it goth bitch, this aint no Elie Saab show. source:
-
Antonio Ortega Haute Couture F/W 2014-2015
The collection moved deliberately between two visual languages. On one side, sharply tailored, hunting-inspired garments suggested discipline, protection, and structure. These looks carried a sense of readiness, as though designed for survival within constructed systems. On the other, feathered and leafy ensembles evoked something primal and organic. Soft, textured, and instinctive, these pieces leaned into nature as both armor and ornament.
-
Serkan Cura Haute Couture F/W 2014-2015
Corsetry formed the structural backbone of the collection. Bodies were shaped, framed, and disciplined through tightly constructed silhouettes that emphasized strength rather than fragility. These were not corsets designed for nostalgia. They felt modern, architectural, and commanding, functioning as both garment and armor. The structure gave the collection a sense of authority that carried from look to look
