Saab has long been known for delivering gowns that feel undeniably romantic, and this season reaffirmed that reputation with confidence. Soft blues, blush pinks, and warm tans floated down the runway, creating a palette that felt weightless and serene. The colors blended seamlessly, reinforcing the collection’s sense of harmony rather than contrast.
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Maison Martin Margiela Haute Couture F/W 2014-2015 Patchwork Sea Babes
Under the creative direction of John Galliano, the house embraced excess through craftsmanship rather than chaos. Patchwork constructions dominated the runway, built from heavily embroidered textiles and unexpected material combinations. Fabrics collided deliberately. Nets, scales, and textured surfaces layered into garments that felt assembled rather than sewn, like artifacts dredged from a glamorous shipwreck.
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Chanel Haute Couture Fall/Winter 2014-2015 Pixie Chicks
Under the direction of Karl Lagerfeld, the collection balanced heritage with lightness. Classic Chanel codes were unmistakably present, most notably the house’s iconic tweed, reworked and elevated through couture-level craftsmanship. The fabrics were intricate and richly textured, but never heavy. Each look felt refined without becoming precious.
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Giorgio Armani Privé Haute Couture Fall/Winter 2014-2015
Veils played a central role, many of them patterned with polka dots that drifted across the face and body like a cinematic filter. Rather than obscuring the garments, these veils enhanced them, adding a layer of intrigue and distance. The gesture felt classic yet subversive, recalling old Hollywood glamour while resisting nostalgia. The women beneath the veils were not hidden. They were elevated.
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Julien Fournie Haute Couture Fall Winter 2014 2015 Plunging Soft Goth
The defining gesture of the collection was the plunge. Long, sleek gowns revealed deep necklines that extended boldly at both the front and back, creating a sense of exposure that felt elegant rather than aggressive. These cuts did not rely on embellishment for impact. Their power came from confidence in form. The body became part of the architecture, framed rather than decorated.
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Giambattista Valli Haute Couture Fall/Winter 2014-2015 50’s Rich Binch
The silhouettes were rooted in classic couture lines. Linear, sleek shapes appeared alongside fuller forms, creating a rhythm that felt intentional rather than nostalgic. Valli balanced control and excess with ease. Structured pieces grounded the collection, while intricate embroidery and full-length dip-dyed gowns introduced movement and visual richness. The craftsmanship was unmistakable, but it never tipped into preciousness.
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Schiaparelli Haute Couture Fall/Winter 2014-2015 80’s Funk Punk
Schiaparelli Haute Couture Fall Winter 2014–2015 did not aim for harmony. It aimed for impact. Loud, eclectic, and unapologetically excessive, the collection embraced contradiction as its central language. This was couture as provocation. In-your-face, visually chaotic, and fully committed to the thrill of excess.
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Stephanie Coudert Haute Couture F/W 2014-2015
Knitwear formed the backbone of the collection, but not in any conventional sense. These were not soft, delicate knits meant to disappear into the body. They were heavy, substantial, and architectural, treated with the same seriousness as tailoring or armor. The garments carried physical presence, shaping the silhouette rather than following it.
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S/S15 Menswear Trends
Baggy: Whether it’s the pants, shirts, or outerwear, almost every collection seemed oversized. This didn’t mean one baggy piece and the rest fitted. If it was baggy so was the whole outfit making everything seem more relaxed and cool. Even better if your weight tends to fluctuate I guess. Short Loose Shorts: Above knee length but wide. Ideal loungewear and interchangeable with endless options. Sneakers: A trend that has followed through from last season is the sneakers. ( thanks Karl) Colorful or solid we saw them all over the mens runways. Mixed with both formal wear and more casual looks. Futuristic Jesus Sandals: Clogish birkenstocks and sandals made…
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Artist Marilyn Minter, HD Oil on Canvas
Marilyn Minter’s paintings operate at a scale and intensity that often confuses the eye before it clarifies the mind. At first glance, her work reads as hyper-real photography. The surface is so sharp, so meticulously rendered, that the instinctive reaction is technological rather than painterly. What camera was used. What lens. What lighting setup. The revelation that these images are oil on canvas arrives slowly, and when it does, it reframes everything.
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Pourchassé for Graveravens ft. Briana Wall
Pourchassé unfolds as a fashion fantasy rooted in tension, atmosphere, and performance. Shot in black and white for Graveravens.com, the editorial places model Briana Wall in a wooded setting where glamour and pursuit exist side by side. The series feels cinematic and deliberate, drawing on classic fashion storytelling while leaning into something darker and more instinctual.
