Interview Magazine Germany’s July August 2015 issue gave us Stella Lucia like you have never quite seen her. Shot in stark black and white by Jork Weismann, the editorial stripped away gloss and handed us something moodier. Tougher. A little feral in the best way.
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Vanessa Moody by Nathaniel Goldberg
Vogue Japan’s July 2015 issue gave us Vanessa Moody in a mood. Shot by Nathaniel Goldberg, the editorial pulsed with eccentric energy and strategic flashes of red that refused to be ignored. It was graphic. It was bold. It had that slightly surreal polish Vogue Japan does so well.
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Blanca Padilla and Jose Maria Manzanares by Thomas Whiteside
Harper’s Bazaar Spain’s July 2015 issue brought romance, fashion, and a hint of rustic mischief together in one unforgettable shoot. Photographed by Thomas Whiteside, the editorial paired Blanca Padilla and Jose Maria Manzanares as an equestrian-inspired couple navigating barnyard glamour with undeniable chemistry. Horses, haystacks, and high-fashion moments collided to create imagery that felt both playful and cinematic.
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Anne Vyalitsyna by photographer Matt Jones
If you ever wondered what would happen if an Olympic warm up collided with a fashion fever dream, Elle’s July 2015 issue had the answer. Anne Vyalitsyna, photographed by Matt Jones, delivered a bright, unapologetic throwback to an athletic 80s moment that felt equal parts nostalgia and high gloss editorial.
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Hedvig Palm by photographer Sebastian Kim
Hedvig Palm shines in a breezy summer morning photoshoot for Vogue Australia’s July 2015 issue. Captured by Sebastian Kim, the shoot feels effortlessly light and sun-soaked, evoking the easy elegance of a vacation wardrobe while still grounded in high-fashion sensibility. Each frame is alive with natural warmth, balancing casual charm with couture polish.
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Estelle Chen by photographer Miles Aldridge
Estelle Chen’s June 2015 Vogue Italia shoot with Miles Aldridge is a delightfully bright exploration of 50’s-inspired pinup energy. The photos feel both nostalgic and modern, balancing playful homage with a subtle edge. Pastel tones dominate the frame, creating an atmosphere that is sweet, almost saccharine, yet not without a hint of ironic commentary.
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ADRIENNE JULIGER BY PHOTOGRAPHER MATTEO MONTANARI
Adrienne Juliger takes center stage in a fashion photoshoot that is equal parts awkward, playful, and charming. Captured for Twin Magazine issue 12 by Matteo Montanari, the shoot leans into youthfulness with a raw and unpolished energy. It feels spontaneous, almost as if the camera is catching moments between poses, giving the images a sense of life and personality beyond traditional editorial stiffness.
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Anais Pouliot by photographer Leda & St. Jacques
Anais Pouliot brings effortless charm to a sun-soaked beachside photoshoot captured by Leda & St. Jacques for the July 2015 issue of Elle Canada. The series channels playful pinup vibes with a modern twist, combining vintage summer glamour with contemporary fashion sensibilities. Each frame feels lighthearted yet intentional, celebrating movement, texture, and the carefree energy of a beach setting.
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Elizabeth Olsen by photographer David Bellemere
Elizabeth Olsen steps into a soft, sun washed fantasy for this beachside editorial photographed by David Bellemere. The shoot leans into an easy, bohemian mood that feels breezy and intimate, like something stumbled upon during a quiet coastal escape. Nothing is overworked here. The images rely on natural light, texture, and Olsen’s understated presence to carry the story forward.
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Kate Bogucharskaia by photographer Eric Guillemain
Kate Bogucharskaia strips fashion back to its bones in this stark black and white editorial photographed by Eric Guillemain for Centrefold Magazine Spring Summer 2015. The series is sharp, graphic, and intentionally restrained, letting form, posture, and contrast take center stage. There is no excess here. Every image feels deliberate, composed, and quietly intense.
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Edita Vilkeviciute by photogarpher Roe Ethridge
This editorial reads like the fantasy version of a summer you swear you once had or maybe just wanted badly enough that it feels real. Shot by Roe Ethridge for W Magazine June/July 2015, the story taps into a very specific 1970s glam getaway mood. Not the dusty, thrifted idea of the decade, but the glossy, indulgent version where everything is turned up just a little too high and nobody apologizes for it.
